TY  - RPRT
A1  - Deinert, Herbert
T1  - Goethe: Helena
N2  - Although we are concentrating on the Third Act, Faust's appreciation of legend's most beautiful woman begins much earlier, perhaps as early as the Hexenkueche scene where he is thoroughly enraptured by a woman's image in a magical mirror. It drives him crazy, he says (2456), particularly since he has to stay at a certain distance to keep it in proper focus (2434); can you see Mephisto's mischievous smile at this bit of enforced "disinterested contemplation"? Woman is God's final art work, the true Crown of Creation, we learn from Schiller's Princess Eboli; Mephisto seems to say as much, and Faust like most men needs no convincing. We can't be sure that this is indeed Helen, we (and Faust) have yet to meet her. She remains nameless but, by any name, would be as sweet.
KW  - Johann Wolfgang von Goethe
KW  - Helena
Y1  - 2010
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/13836
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30-1147441
UR  - http://courses.cit.cornell.edu/hd11/Helena.html
N1  - Herbert Deinert (Professor of German Studies, Emeritus) Department of German Studies, Cornell University, Ithaca NY 14853. Zusätzliches Material findet sich unter: http://courses.cit.cornell.edu/hd11/
ER  -