TY  - JOUR
A1  - Gurisatti, Giovanni
T1  - Benjamin, Adorno e la "fisiognomica"
T2  - Aisthesis
N2  - This study points out the methodological centrality assumed by the notion of “physiognomy”, both in Benjamin and in Adorno, namely the idea that the forms of the works of art, and generally those of the visual phenomena, are direct “expression”, in a micro-monadological way, of an historical-social sense, not otherwise attainable. On the one hand Benjamin’s physiognomy shows a particular interpretative “openness” to its objects, on the other that of Adorno remains subjected to an epistemological model of “totality”, from the Hegelian-Marxian tradition, which risks compromising the hermeneutic efficacy of its own original philosophical approach.
KW  - Benjamin
KW  - Adorno
KW  - Physiognomy
Y1  - 2010
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/56457
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-564577
UR  - https://oajournals.fupress.net/index.php/aisthesis/article/view/570
SN  - 2035-8466
VL  - 2
IS  - 2
SP  - 181
EP  - 191
PB  - Università degli studi di Firenze, Seminario Permanente di Estetica
CY  - Firenze
ER  -