Gender ambivalence (ambiguity)

The tentative title of my presentation is GENDER AMBIVALENCE (AMBIGUITY?) and deals with Renaissance iconography in Thomas Mann's Death in Venice. It will show that homosexual attraction, although obvious in the story (a
The tentative title of my presentation is GENDER AMBIVALENCE (AMBIGUITY?) and deals with Renaissance iconography in Thomas Mann's Death in Venice. It will show that homosexual attraction, although obvious in the story (and Mann's life) is a secondary issue and that the main concern lies with the problem provided by an aesthetic principle. (Parallel narratives, the plot is not the real/only story).
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Metadaten
Author:Herbert Deinert
URN:urn:nbn:de:hebis:30-1147499
URL:http://courses.cit.cornell.edu/hd11/Gender-Ambivalence.html
Document Type:Working Paper
Language:English
Date of Publication (online):2010/02/08
Year of first Publication:2010
Publishing Institution:Univ.-Bibliothek Frankfurt am Main
Release Date:2010/02/08
SWD-Keyword:Geschlechterforschung ; Homosexualität; Mann; Thomas / Der Tod in Venedig
Note:
Herbert Deinert (Professor of German Studies, Emeritus) Department of German Studies, Cornell University, Ithaca NY 14853. Zusätzliches Material findet sich unter: http://courses.cit.cornell.edu/hd11/ 
HeBIS PPN:223722332
Dewey Decimal Classification:833 Deutsche Erzählprosa
Sammlungen:GiNDok
BDSL-Classification:BDSL-Klassifikation: 16.00.00 Jahrhundertwende (1880-1914) > 16.15.00 Zu einzelnen Autoren
Licence (German):License Logo Veröffentlichungsvertrag für Publikationen

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