Music
The musical ending [of Goethe's Novelle] recalls the fascination with "music as metaphor", "the power of music", among recent and contemporary poets from Pope and Dryden and Collins to E.T.A. Hoffmann and Kleist and, of course to Goethe himself. Music saves Faust's life on Easter morning at the end of a dreadful night, and we'll encounter a similar role of music in his Trilogie der Leidenschaft which we'll read in this context.
| Author: | Herbert Deinert |
|---|---|
| URN: | urn:nbn:de:hebis:30-1147632 |
| URL: | http://courses.cit.cornell.edu/hd11/Music.html |
| Document Type: | Working Paper |
| Language: | English |
| Date of Publication (online): | 08.02.2010 |
| Year of first Publication: | 2010 |
| Publishing Institution: | Univ.-Bibliothek Frankfurt am Main |
| SWD-Keyword: | Literaturwissenschaft ; Musik |
| HeBIS PPN: | 223950165 |
| Dewey Decimal Classification: | 800 Literatur und Rhetorik |
| Sammlungen: | GiNDok |
| Allgemeine und Vergleichende Literaturwissenschaft | |
| Literatur zur Musik | |
| BDSL-Klassifikation: | BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.08.00 Poetik > 03.08.04 Dichtung und Musik |
| Note: | Herbert Deinert (Professor of German Studies, Emeritus) Department of German Studies, Cornell University, Ithaca NY 14853. Zusätzliches Material findet sich unter: http://courses.cit.cornell.edu/hd11/ |
| Licence (German): |  Veröffentlichungsvertrag für Publikationen ohne Print on Demand |
