Music

The musical ending [of Goethe's Novelle] recalls the fascination with "music as metaphor", "the power of music", among recent and contemporary poets from Pope and Dryden and Collins to E.T.A. Hoffmann and Kleist and, of 
The musical ending [of Goethe's Novelle] recalls the fascination with "music as metaphor", "the power of music", among recent and contemporary poets from Pope and Dryden and Collins to E.T.A. Hoffmann and Kleist and, of course to Goethe himself. Music saves Faust's life on Easter morning at the end of a dreadful night, and we'll encounter a similar role of music in his Trilogie der Leidenschaft which we'll read in this context.
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Metadaten
Author:Herbert Deinert
URN:urn:nbn:de:hebis:30-1147632
URL:http://courses.cit.cornell.edu/hd11/Music.html
Document Type:Working Paper
Language:English
Date of Publication (online):2010/02/08
Year of first Publication:2010
Publishing Institution:Univ.-Bibliothek Frankfurt am Main
Release Date:2010/02/08
SWD-Keyword:Literaturwissenschaft ; Musik
Note:
Herbert Deinert (Professor of German Studies, Emeritus) Department of German Studies, Cornell University, Ithaca NY 14853. Zusätzliches Material findet sich unter: http://courses.cit.cornell.edu/hd11/ 
HeBIS PPN:223950165
Dewey Decimal Classification:800 Literatur und Rhetorik
Sammlungen:GiNDok
Allgemeine und Vergleichende Literaturwissenschaft
Literatur zur Musik
BDSL-Classification:BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.08.00 Poetik > 03.08.04 Dichtung und Musik
Licence (German):License Logo Veröffentlichungsvertrag für Publikationen

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