Performing proximity - "Learning to fly"

  • The following paper is about artists doing experimental and performative art who expect the spectators to become participants in the process of artwork production. The artwork is thus produced through a process of participation. As a researcher, I was similarly expected to participate in the artwork process. As I observed, the artists worked at having their agency in the artwork process recognized by the participating spectators. At the same time, the artists create a certain proximity to the spectators-participants through performing art, which I call "performing proximity." By involving the participants in their art-in-process, they make use of their agency to redefine the artworld and enlarge it into other social worlds. I also discuss how artists' ability to enact redefined social worlds can be compared to agency in performative social science and in biographical research.

Download full text files

Export metadata

Additional Services

Share in Twitter Search Google Scholar
Metadaten
Author:Felicia Herrschaft
URN:urn:nbn:de:hebis:30:3-436538
URL:http://www.qualitative-research.net/index.php/fqs/article/view/393
ISSN:1438-5627
Parent Title (German):Forum qualitative Sozialforschung: FQS
Publisher:Freie Univ. Berlin
Place of publication:Berlin
Document Type:Article
Language:English
Year of Completion:2017
Year of first Publication:2008
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2017/06/02
Tag:artworld/socialworld; biographical research; performative social science; performativity
Volume:9
Issue:No. 2, Art. 62
Page Number:18
Note:
This work is licensed under a Creative Commons Attribution 4.0 International License.
HeBIS-PPN:428711928
Institutes:Gesellschaftswissenschaften / Gesellschaftswissenschaften
Dewey Decimal Classification:3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften
Sammlungen:Universitätspublikationen
Licence (German):License LogoCreative Commons - Namensnennung 4.0