Possibilità dell’aura tra arte e musica. Appunti su Benjamin e Adorno

In Paris, metropolis of xix century, Benjamin traces the new paradigm of modernity: the modern theatrical dimension corresponds to the artistic innovations and to the reproduction of aesthetical requests. Entfremdung and
In Paris, metropolis of xix century, Benjamin traces the new paradigm of modernity: the modern theatrical dimension corresponds to the artistic innovations and to the reproduction of aesthetical requests. Entfremdung and Neutralisierung are the main characters of the Ästhetisierung and they are one with the distraction as principle of reception and the conformism as principle of valuation. This is the context of the aura’s decline. The Adorno’s critical essay on the radio (1963) analyses the transformation of works of art in cultural gifts and, in particular, the loss of autonomy of the musical work of art in the radio listening. The Adorno’s remarks recognize the historical character of aura and a new possibility that it can re-emerge in a new historical dimension of the music.
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Metadaten
Author:Leonardo V. Distaso
URN:urn:nbn:de:hebis:30:3-569893
DOI:http://dx.doi.org/10.4000/estetica.1605
ISSN:2421-5864
ISSN:0035-6212
Parent Title (German):Rivista di estetica
Publisher:Università di Torino, Dipartimento di Discipline Filosofiche
Place of publication:Torino
Document Type:Article
Language:Italien
Date of Publication (online):2013/03/01
Year of first Publication:2013
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2020/11/21
Volume:52
Pagenumber:12
First Page:69
Last Page:80
Institutes:Gesellschaftswissenschaften
Philosophie
Institut für Sozialforschung (IFS)
Dewey Decimal Classification:100 Philosophie und Psychologie
300 Sozialwissenschaften
700 Künste; Bildende und angewandte Kunst
780 Musik
Sammlungen:Universitätspublikationen
Licence (German):License LogoCreative Commons - Namensnennung-Nicht kommerziell - Keine Bearbeitung 4.0

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