O estilo em Alfred Döblin

O objetivo do presente artigo é apresentar alguns aspectos teóricos postulados pelo escritor alemão Alfred Döblin em seus ensaios ao desenvolver sua própria concepção da obra épica na "era da técnica" à luz de questões e
O objetivo do presente artigo é apresentar alguns aspectos teóricos postulados pelo escritor alemão Alfred Döblin em seus ensaios ao desenvolver sua própria concepção da obra épica na "era da técnica" à luz de questões estilísticas, propondo conceitos como "estilo cinematográfico", "despersonalização", "fantasia factual" e "fantasia cinética". Para uma delimitação conceitual em relação à noção de "estilo", serão tomadas por base as considerações de Antoine Compagnon, postuladas na obra "O demônio da teoria" (1999), bem como as reflexões de Walter Benjamin, presents na resenha "A crise do romance" (1930) e no ensaio "O narrador" (1936).
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The aim of this paper is to present some theoretical aspects, postulated by German writer Alfred Döblin in his essays, as he developed his own conception of the epic work in "the technical era", based on stylistic aspect
The aim of this paper is to present some theoretical aspects, postulated by German writer Alfred Döblin in his essays, as he developed his own conception of the epic work in "the technical era", based on stylistic aspects, proposing concepts such as "film style", "depersonalization", "factual fantasy" and "kinetic fantasy". As a basis for a conceptual definition concerning the notion of "style", this paper takes into account Antoine Compagnon´s arguments in the work "Literature, theory and common sense" (1998), as well as Walter Benjamin's reflections presented in the review "The crisis of the novel" (1930) and the essay "The Storyteller" (1936).
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Ziel dieses Beitrags ist, einige theoretische Aspekte zu präsentieren, die Alfred Döblin in seinen Essays bei der Entwicklung seiner eigenen Auffassung vom epischen Werk im "technischen Zeitalter" im Lichte von stilistis
Ziel dieses Beitrags ist, einige theoretische Aspekte zu präsentieren, die Alfred Döblin in seinen Essays bei der Entwicklung seiner eigenen Auffassung vom epischen Werk im "technischen Zeitalter" im Lichte von stilistischen Fragen verfasst, sowie Begriffe wie "Kinostil", "Depersonation", "Tatsachenphantasie" und "kinetische Phantasie" postuliert hat. Für die genaue Erörterung des "Stil" Begriffs werden die Betrachtungen Antoine Compagnons im Buch "Le démon de la théorie" (1998), wie auch die Überlegungen Walter Benjamins in der Rezension "Krisis des Romans" (1930) und im Essay "Der Erzähler" (1936) als Grundlagen genommen.
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Metadaten
Author:Elcio Loureiro Cornelsen
URN:urn:nbn:de:hebis:30:3-261700
URL:http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1982-88372010000100005&lng=pt&nrm=iso&tlng=pt
ISSN:1414-1906
ISSN:1982-8837
Parent Title (Portuguese):Pandaemonium Germanicum : revista de estudos germanísticos
Publisher:Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo
Place of publication:São Paulo
Document Type:Article
Language:Portuguese
Year of first Publication:2010
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2013/07/09
SWD-Keyword:Döblin, Alfred; Epik; Moderne; Roman; Stil
Volume:15
Pagenumber:20
First Page:50
Last Page:69
HeBIS PPN:347824005
Dewey Decimal Classification:830 Literaturen germanischer Sprachen; Deutsche Literatur
833 Deutsche Erzählprosa
Sammlungen:GiNDok
BDSL-Classification:BDSL-Klassifikation: 17.00.00 20. Jahrhundert (1914-1945) > 17.18.00 Zu einzelnen Autoren
BDSL-Klassifikation: 17.00.00 20. Jahrhundert (1914-1945) > 17.16.00 Gattungen und Formen > 17.16.03 Epik
Zeitschriften / Jahresberichte:Pandaemonium Germanicum Nr. 15
Journal: Dazugehörige Zeitschrift anzeigen
Licence (German):License LogoCreative Commons - Namensnennung-Nicht kommerziell 3.0

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