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    <pubDate>Tue, 16 Apr 2013 11:56:15 +0200</pubDate>
    <lastBuildDate>Tue, 16 Apr 2013 11:56:15 +0200</lastBuildDate>
    <item>
      <title>A literatura e o cinema como novo medium artístico : Hanns Heinz Ewers e "O estudante de Praga"(1913)</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26135</link>
      <description>"O estudante de Praga" (1913) é considerado o primeiro filme de arte produzido na Alemanha. Baseado num roteiro de Hanns Heinz Ewers, escritor e defensor destacado do novo medium fílmico, o filme remonta a motivos da tradição literária do romantismo alemão, sobretudo em relação às obras de E.T.A. Hoffmann e Adelbert von Chamisso e à figura do doppelgänger. Todo esse arcabouço literário não só dava sustentação à trama como também credibilidade ao filme, contribuindo, junto com a exploração dos recursos técnicos de câmera, para a aceitação definitiva do filme como medium de arte, bem como para o início do sucesso do cinema alemão, que atingiria seu apogeu nos anos 1920, com o movimento conhecido como 'expressionismo alemão'.</description>
      <author>Michael Korfmann; Filipe Kegles Kepler</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26135</guid>
      <pubDate>Tue, 16 Apr 2013 11:56:15 +0200</pubDate>
    </item>
    <item>
      <title>Kant : autonomia ou estética compromissada?</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26081</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26081</guid>
      <pubDate>Tue, 05 Mar 2013 13:28:09 +0100</pubDate>
    </item>
    <item>
      <title>Vanguarda e experiência urbana</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26070</link>
      <description/>
      <author>Michael Korfmann; Marcelo Nogueira</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26070</guid>
      <pubDate>Mon, 04 Mar 2013 13:25:19 +0100</pubDate>
    </item>
    <item>
      <title>A literatura moderna como observação de segunda ordem : uma introdução ao pensamento sistêmico de Niklas Luhmann</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26053</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/26053</guid>
      <pubDate>Mon, 31 Dec 2012 17:09:07 +0100</pubDate>
    </item>
    <item>
      <title>Nota de encerramento</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25105</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25105</guid>
      <pubDate>Wed, 11 Jul 2012 15:54:35 +0200</pubDate>
    </item>
    <item>
      <title>Literatura e luz : iluminação elétrica, teatro e o filme expressionista</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25095</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25095</guid>
      <pubDate>Wed, 11 Jul 2012 12:50:36 +0200</pubDate>
    </item>
    <item>
      <title>On Brazilian Cinema : A Portrait of Director and Producer Walter Salles</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25093</link>
      <description>Walter Salles is probably the most widely known Brazilian director and producer. This article offers a portrait of his work over the last two decades as part of the cinematic and cultural changes that took place in Brazil. It starts with a historical overview of Brazilian film history and will then take a closer look at the films directed by Salles and his activities as producer. By looking at the evolution of the Brazilian film industry in the last ten to fifteen years in terms of market structures as well as aesthetic qualities, two major references become apparent: the more (but not only) commercial oriented productions of Globo Filmes, which often meet public taste and rely on a well-proven television language; second, the movies of Walter Salles as well as the films produced by Videofilmes, a company run and founded in 1987 by him and his brother, the documentarist João Moreira Salles. Videofilmes not only fosters many of the somewhat marginal, smaller film projects, but also serves as support for more artistically orientated movies.</description>
      <author>Michael Korfmann; Filipe Kegles Kepler</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25093</guid>
      <pubDate>Wed, 11 Jul 2012 12:03:44 +0200</pubDate>
    </item>
    <item>
      <title>A respeito do 'Processo' de Kafka</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25068</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25068</guid>
      <pubDate>Wed, 04 Jul 2012 12:33:22 +0200</pubDate>
    </item>
    <item>
      <title>Texto, imagem e suas iluminações recíprocas</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25053</link>
      <description/>
      <author>Michael Korfmann; Vitor Schneider; Fernanda Cavagnoli</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25053</guid>
      <pubDate>Wed, 27 Jun 2012 12:57:15 +0200</pubDate>
    </item>
    <item>
      <title>A configuração medial da literatura</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25035</link>
      <description/>
      <author>Michael Korfmann; Filipe Kepler; Amanda Lauschner Corrêa</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25035</guid>
      <pubDate>Wed, 20 Jun 2012 13:51:54 +0200</pubDate>
    </item>
    <item>
      <title>Herbert Caro ou o tradutor como lenda</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25025</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25025</guid>
      <pubDate>Wed, 20 Jun 2012 11:38:49 +0200</pubDate>
    </item>
    <item>
      <title>E.T.A. Hoffmann e a questão óptica</title>
      <link>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25019</link>
      <description/>
      <author>Michael Korfmann</author>
      <category>article</category>
      <guid>http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25019</guid>
      <pubDate>Wed, 13 Jun 2012 10:52:30 +0200</pubDate>
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