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Nachdem ich meine Lizentiatsarbeit [..] abgeschlossen hatte, fragte mich Prof. Ebneter an, ob ich bereit wäre, mit dem gleichen Transkritionssystem auch eine Umfrage zu diversen Verbalformen in Graubünden zu erstellen. […] Von Prof. Ebneter bekam ich eine Liste mit den gewünschten Verbformen. Ich habe zu diesen je einen Satz konstruiert, der den Gewährspersonen vorgelegt wurde. Einmal hatten die Informantinnen und Informanten die Verbformen mit vorangestelltem Subjektpronomen und einmal mit Inversion aus der standardsprachliche Vorlage in der 1. Person Singular zu übersetzen. In der Folge habe ich dann das ganze Paradigma abgefragt.
Die Resultate meiner Erhebung sind teilweise in die Verbalmorphologie des Abschlussbandes zum Forschungsprojekt "Deutsch und Romanisch am Hinterrhein" eingeflossen. Insgesamt aber sind die Verbformen noch nie integral veröffentlicht worden. Eine eigenständige gedruckte Publikation verlangte wohl auch einen Kommentar zu den Paradigmen. Mit der Möglichkeit, Texte auch digital zu publizieren, hat sich allerdings eine neue Verbreitungsform ergeben, die es erlaubt, auch "Materialien" zu veröffentlichen, die vielleicht anderen wissenschaftlich Arbeitenden nützlich sein können. Im Zeichen des zum Teil rapiden Sprachwandels gerade in der Verbalmorphologie stellen die 1988 erfassten Verbparadigmen aber auch ein Brückendokument dar, das spannende Vergleiche zwischen den Aussagen früherer Forschungen und aktuellen Daten zulässt.
Tumbuka folktales are on the verge of extinction. If not recorded now, the loss would not only be the amusement they provide but chiefly lessons inherent. On the surface, they are simple narratives, however, subtly they evoke serious moral lessons that are very applicable to our everyday life today. This folklore collection is based on field research conducted by the authors in Citumbuka speaking areas of Mzimba and Rumphi districts in Nothern Malawi.
Trends in Nollywood: A Study of Selected Genres is a welcome addition to the growing body of works on the Nigerian cinema. It is part film history and part film theory and criticism. The history part traces the origin of the Nigerian cinema up to the present era of video productions. The work examines in detail, the contextual issues which have helped to define emergent trends within the industry.
Taking the history of trade and of traders as its subject matter, this book offers the first economic history of northern Namibia during the twentieth century. It traces Namibia's way from a rural, largely self-relying society into a globalised economy of consumption. This transformation built on colonial economic activities, but it was crucially shaped by local traders, a new social elite emerging during the 1950s and 1960s. Becoming a trader was one of the few possibilities for black Namibians to gain monetary income at home. It was a pathway out of migrant labour, to new status in the local society and often to prosperity. Politically, most traders occupied a middle ground: content of their own social position, but intent on political emancipation from colonial rule. Economically, their energy and business acumen transformed northern Namibia into an increasingly urban consumer society. The development path they chose, however, depended too much on the colonial reserve economy to remain sustainable after 1990. Their legacy still shapes spatial and social structures in northern Namibia, but most traders' businesses have today closed down. By telling the history of the rise and decline of traders and trade in northern Namibia, this book is thus also a reflection on the conundrums of economic development under conditions of structural inequality.
This book revisits the perennial challenge that scholars, economists, and politicians have been grappling with since the 1960s. Development, in this book, has been defined in a context that projects it as a multidimensional and complex process which seeks to enhance the human, social, economic and cultural welfare of the people. This book calls for a rethinking of trade and industry for Africa's development. It uses data drawn from national development plans and strategies, and trade and industry issues have been prioritized at the continental level, in key policy documents. On the whole Africa's industry and trade performance have been poor in spite of national, regional, and continental plans. The contributors to this volume propose some alternative strategies and policies which are necessary for trade and industry to grow and to contribute to the well-being of Africa's people. It calls for a developmental trade and industry policy which, fundamentally, must be people-centred. African states should invest time, energy and resources to develop policies which will take into consideration African realities.The different contributors are aware that Africa has experienced strong economic growth in the recent past but this growth has largely been due to a strong demand for Africa's primary commodity exports. It has also been a result of increases in productivity and domestic investment and remittances from Africans living in the Diaspora. It is important to note that despite this unprecedented growth performance, the impact of trade and industry on development has been limited. The book argues that a structural transformation of Africa's economies is inevitable if Africa is to achieve the shift from the dominant paradigm of production and export of primary goods. The various contributors to this book agree that there is need to rethink policy and strategy in order to achieve industrial development in Africa. There is no unique solution or answer that can fit all situations as African countries are not the same. While Africa can draw lessons from other regions which have successfully industrialized, this book argues that policies and strategies will have to be adapted to country-specific situations and circumstances.
Touring Girls
(2014)
Touring Girls tells the story of Jacob Mbuy a young Cameroonian whose primary objective in life is having affairs with as many women as possible. He is obsessed with abusing young girls as well as instilling hopeless hope in adult women. His demise comes when he changes his world from the Christian to the Moslem world where he confronts a new type of women who behave strangely and cannot dance to his tunes. Protected by Islamic traditions and strict government laws, Jacob lands into a hell of unprecedented problems.
As Ama's wedding day approaches and her friends - Beauty, Matlakala and Pamela are there to lend varying degrees of support. But when tragedy strikes on Ama's wedding day and spreads to every corner of the group's lives they hold on to each other to survive. Will their misfortunes bring them closer together or will they tear the quilt of their friendship apart? They are our mothers, our sisters, our daughters, our girlfriends, our aunties. Pamela's body is a ravaged canvas of her troubles. Matlakala tries to prop up a failing relationship. Beauty's sharp tongue and dark secret threatens to doom her to a life lived alone. In To the Black Women We All Knew, Maenetsha showcases the modern township existence and its weakening yet ever-present link to tradition. Her vivid writing tells of the capriciousness of life and love and the strength of women in the face of a crisis..
Tiger in an African palace collects eight essays about kinship and belonging that Richard Fardon wrote to complement his monographs on West Africa. The essays extend those book-length descriptions by pursuing their wider implications for theory in social anthropology: exploring the relationship between comparison and historical reconstruction, and questioning the fit between personal, ethnic and cosmopolitan identities in contemporary West African nations. In an Introduction written specially for this Langaa collection, Richard Fardon retraces the career-long development of his preoccupation with concepts of identification and transformation, and their relevance to understanding West African societies comparatively and historically.
This Day
(2014)
Loss has left Ella Spinner alone to care for her husband, Bart, who suffers from clinical depression. Their days now echo the tides: any progress made, rolls back. Yet Ella keeps pushing against the monotony. Set in Mossel Bay, Ella?s day begins like any other. But on this day the minutes begin to crack allowing change to filter through. As we cheer on her tenacity, we?re left asking ourselves what motivates anyone to try again.
They are Coming
(2014)
This is the story of a small family in Lobengula township, Bulawayo: a shoemaker, Ngwenya, his wife, MaVundla, and their two children, Ambition and Senzeni, whose lives are turned upside-down when Senzeni joins the local youth militia. Mlalazi captures the texture of everyday life in the township, the humour, warmth, rivalry and fear as neighbours interact with each other or get swept up by events outside their control. Their constant search, however, is for autonomy and independence, for the ability to have control over their own lives. They are Coming provides us with perspectives often hidden from view, in a story where particular events are part of a more complex history.