5 search hits
-
Storyline structure in Hausa home videos : an analysis of Mai Kudi, Sanafahna, and Albashi
(2007)
- This study analyzes storyline structure in three Hausa home videos; Mai Kudi (The Rich Man), Sanafahna (with time truth shall dawn) and Albashi (Salary). The study measures storyline structure in these films against a Hollywood film industry model of story writing “the Hero's Journey”. It uses narrative analysis as its analytical tool, and narrative theory as its framework. After analyzing these videos, the study found that the major elements of storyline structure in Vogler's model formed the framework of the storyline structure in Hausa home videos analyzed. However, in spite of the preponderance of these elements within the storyline structure, there are significant variations to Vogler's model. Specifically, Vogler's model has some twelve stages spread on the universal structure of storytelling, i.e. beginning, middle and end. Few of these stages were found to exist in Hausa narrative structure, perhaps due to cultural differences between Western, Indian and Hausa cultures. The study therefore recommends screenwriters and producers to be aware of the existence of standard models of scriptwriting. It also recommends more training for script writers in the Hausa film industry.
-
In plain view : the body as site of detection and inscription in serial killer narratives ; ein Essay
(2009)
-
Steffen Hantke
- At the beginning of every story of murder there is always a body. If the murderer is a serial killer, there is, of course, more than one. More importantly, the bodies left by the serial killer are not likely to be intact and whole. What he leaves behind and what we, the audience, will get to see is the body in pieces, dismembered, scattered. A series of snapshots, partial views, and close-ups, inflicting cold sharp shocks, is all we may glimpse: the head of Benjamin Raspail floating in a jar of formaldehyde in The Silence of the Lambs, a finger removed by the serial killer from his landlord’s hand in Kalifornia, a ziploc bag of fingers recovered from a flooded drainpipe in When The Bough Breaks, a surgically severed hand used to leave misleading fingerprints on a wall at a crime scene in Seven.
-
Paracelsus : (Theophrastus Bombastus von Hohenheim 1493-1541)
(1996)
-
Herbert Deinert
-
Doktorarbeiten and Film in Germany : 1910-1945 ; an overview and catalogue
(2007)
-
William Uricchio
- Die folgende Bibliographie erschien zunächst in der Film Theory: Bibliographic Information and Newsletter, nos. 14-17, 1987, pp. 131-161 (= G227-G257)
-
Multilingual dictionaries of film vocabulary : a bibliography
(2007)
-
Hans Jürgen Wulff
Klaus-Peter Heß
- Die folgende Bibliographie erschien zunächst in der Film Theory: Bibliographic Information and Newsletter, nos. 10-11, 1986, pp. 63-80 (= G177-G194). Inhalt: Bibliography Index of Languages Index of Lexicographical Domains