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2301 search hits
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Narração ou teoria? Adorno e O Inominável de Samuel Beckett
(2013)
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Luciano Gatti
- Theodor Adorno deixou uma série de anotações sobre o romance O Inominável de Samuel Beckett, as quais deveriam ser aproveitadas para a elaboração de um ensaio que nunca chegou a ser escrito. O artigo busca discutir uma dessas anotações, segundo a qual o romance de Beckett poderia ser caracterizado como a consumação de uma tendência do romance contemporâneo em direção ao romance reflexivo. Com o intuito de desdobrar essa questão o artigo recorre a elementos da obra de Beckett e da reflexão de Adorno sobre a forma do romance.
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In situ growth optimization in focused electron-beam induced deposition
(2013)
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Paul Martin Weirich
Marcel Winhold
Christian H. Schwalb
Michael Huth
- We present the application of an evolutionary genetic algorithm for the in situ optimization of nanostructures that are prepared by focused electron-beam-induced deposition (FEBID). It allows us to tune the properties of the deposits towards the highest conductivity by using the time gradient of the measured in situ rate of change of conductance as the fitness parameter for the algorithm. The effectiveness of the procedure is presented for the precursor W(CO)6 as well as for post-treatment of Pt–C deposits, which were obtained by the dissociation of MeCpPt(Me)3. For W(CO)6-based structures an increase of conductivity by one order of magnitude can be achieved, whereas the effect for MeCpPt(Me)3 is largely suppressed. The presented technique can be applied to all beam-induced deposition processes and has great potential for a further optimization or tuning of parameters for nanostructures that are prepared by FEBID or related techniques.
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Seligman’s flourishing: An appraisal of what lies beyond happiness
(2013)
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Llewellyn Ellardus van Zyl
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Unpacking the meaning of sense of coherence in transcultural management
(2013)
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Llewellyn Ellardus van Zyl
Marius W. Stander
- Review of: Book Title: The meaning of sense of coherence in transcultural management, Author: C. Mayer, ISBN:978-3830925538, Publisher: Waxmann Publishing Company, 2011, 30.00€*
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Perspectives of female leaders on sense of coherence and mental health in an engineering environment
(2013)
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Claude-Hélène Mayer
Llewellyn Ellardus van Zyl
- Orientation: Positive organisational behaviour impacts strongly on various individual and work-related outcomes. Gender perspectives in this paradigm have not yet been comprehensively researched.
Research purpose: This article explores female perspectives on mental health and sense of coherence. The aim is to promote an understanding of gender-related subjective perceptions on mental health and sense of coherence from an emic perspective.
Motivation for the study: Limited research exists regarding the perceptions of positive leadership behaviour of female leaders within South African who experience unique challenges within the business environment and remain healthy at the same time.
Research design, approach and method: Data from a mixed-method research study are presented, thereby providing insights into quantitative and in-depth qualitative empirical data from 15 female leaders. The study followed a single, embedded case study approach.
Main findings: The main findings show that sense of coherence, mental health and gender awareness are connected. Female leaders with a high sense of coherence refer to gender in a positive or neutral way in a male-dominated work environment. The results emphasise individual and social health-promoting strategies in an organisation and the way personal life orientation contributes to individual (mental) health.
Practical/managerial implications: Organisations need to focus more on promoting mental health in terms of gender and gender-related positive psychology frames.
Contribution/value-add: This study contributes to the literature on gender within the positive organisational behaviour paradigm, presents recommendations for future research and highlights the practical implications for organisations.
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Životaschopnosť jedného prístupu. Poznámky ku kantovskej línii interpretácie kategórie vznešeného (pokračovanie)
(2013)
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Adrián Kvokačka
- Pokračujúc v zámere predchádzajúceho príspevku tento text otvára znova problém recepcie Kantovho vymedzenia kategórie vznešeného. Variácie, ktoré vykonávajú Schopenhauer, Nietzsche a Adorno predstavujú inovatívne prístupy. Premostenie dejín tejto estetickej kategórie do 20.storočia v myslení sledovaných autorov predstavuje funkčnosť vznešeného v premenách umeleckého a estetického diskurzu a nabáda k jeho aktualizovaniu v súčasnosti.
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La questione dell’aura tra Benjamin e Adorno
(2013)
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Giuseppe Di Giacomo
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Possibilità dell’aura tra arte e musica. Appunti su Benjamin e Adorno
(2013)
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Leonardo V. Distaso
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The necessity of over-interpretation: Adorno, the essay, and the gesture of aesthetic experience
(2013)
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Anders Johansson
- This article is a discussion of Theodor W. Adorno’s comment, in the beginning of ‘The Essay as Form’, that interpretations of essays are over-interpretations. I argue that this statement is programmatic, and should be understood in the light of Adorno’s essayistic ideal of configuration, his notion of truth, and his idea of the enigmatic character of art. In order to reveal how this over-interpreting appears in practice, I turn to Adorno’s essay on Kafka. According to Adorno, the reader of Kafka is caught in an aporia: Kafka’s work cannot be interpreted, yet every single sentence calls for interpretation. This paradox is related to the gestures and images in Kafka’s work: like Walter Benjamin, Adorno means that they contain sedimented, forgotten experiences. Instead of interpreting these images, Adorno visualizes the experiences indirectly by presenting images of his own. His own essay becomes gestural.
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A arte moderna como historicamente-sublime um comentário sobre o conceito de sublime na "Teoria estética" de Th. Adorno
(2013)
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Verlaine Freitas
- O objetivo do texto é propor uma interpretação do conceito de sublime na Teoria estética de Theodor Adorno, partindo do confronto com leituras significativas de outros comentadores, de modo a fornecer uma concepção que associe o movimento de transcendência e alteridade da forma estética à dinâmica histórico-processual das obras.
