BDSL-Klassifikation: 17.00.00 20. Jahrhundert (1914-1945) > 17.18.00 Zu einzelnen Autoren
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Este artigo apresenta uma leitura do filme alemão "Toni Erdmann" (2016), dirigido por Maren Ade, a partir da indagação a respeito dos modos através dos quais ele analisa os processos contemporâneos de modernização na Europa. Para tanto, será feita também uma reflexão sobre a apropriação que o filme faz de certos modos de encenação épica propostos por Bertolt Brecht. A parte final do artigo sugere uma aproximação entre o filme e a peça "Mãe Coragem e seus filhos" ("Mutter Courage und ihre Kinder", 1939).
Brecht's early play 'Baal' contains an allusion to Brazil. The interpretation of the image of Brazil designed in this play might raise a profitable discussion in order to introduce Brecht's theatre into the classroom and to motivate the students to study it. Therefore, the present paper suggests that the study of Brecht's theater should be started with the analysis of his first play and sketches a possible way to do this.
Brecht ainda hoje?
(2000)
This paper tries to find arguments for Bertolt Brecht's relevance to the present. It points out parallels between Brecht's epic theater and music, especially opera. A central point is the aesthetics of form, which was so important for Brecht and which is decisive for his modernity.
O teatro épico de Brecht
(2000)
This article is a reduced version of the chapter "Sinta o drama" from the book with the Same title. It traces Brecht's reasons for qualifying his theater as epic, based on important literary critics such as Peter Szondi, Adorno. Lukács and Anatol Rosenfeld, including Brecht himself.