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Two hypotheses have been proposed in order to account for velar softening, i.e., a process through which /k/ changes to an affricate. Whereas one hypothesis states that for the process to apply the velar stop has to be realized as an (alveolo) palatal stop (articulation-based hypothesis), the other claims that velar softening is triggered by acoustic similarity between the input and output segments (acoustic equivalence hypothesis). The present paper investigates the acoustic equivalence hypothesis by comparing several acoustic properties of /k/ in various vowel contexts with those of /ts , ts , tc / for three languages differing in stop burst aspiration, i.e., German, Polish and Catalan. Results suggest that the acoustic equivalence hypothesis could account for velar softening in aspirated velar stops but not in unaspirated velar stops. The results also provide an explanation as to why aspirated velar stops are prone to undergo softening more easily when followed by front vocalic segments than in other contexts and positions
In this study, cross-dialectal variation in the use of the acoustic cues of VOT and F0 to mark the laryngeal contrast in Korean stops is examined with Chonnam Korean and Seoul Korean. Prior experimental results (Han & Weitzman, 1970; Hardcastle, 1973; Jun, 1993 &1998; Kim, C., 1965) show that pitch values in the vowel onset following the target stop consonants play a supplementary role to VOT in designating the three contrastive laryngeal categories. F0 contours are determined in part by the intonational system of a language, which raises the question of how the intonational system interacts with phonological contrasts. Intonational difference might be linked to dissimilar patterns in using the complementary acoustic cues of VOT and F0. This hypothesis is tested with 6 Korean speakers, three Seoul Korean and three Chonnam Korean speakers. The results show that Chonnam Korean involves more 3-way VOT and a 2-way distinction in F0 distribution in comparison to Seoul Korean that shows more 3-way F0 distribution and a 2-way VOT distinction. The two acoustic cues are complementary in that one cue is rather faithful in marking 3-way contrast, while the other cue marks the contrast less distinctively. It also seems that these variations are not completely arbitrary, but linked to the phonological characteristics in dialects. Chonnam Korean, in which the initial tonal realization in the accentual phrase is expected to be more salient, tends to minimize the F0 perturbation effect from the preceding consonants by taking more overlaps in F0 distribution. And a 3-way distribution of VOT in Chonnam Korean, as compensation, can be also understood as a durational sensitivity. Without these characteristics, Seoul Korean shows relatively more overlapping distribution in VOT and more 3-way separation in F0 distribution.
In Ocotepec Mixe, the stem-initial sibilants /s tÉs ß/ undergo a palatalization process when the prefix /j/ is added. Descriptions of other Mixe languages report that this palatalization is realized either as addition of a glide (in the case of the alveolar and retroflex sibilants) or as a change in the primary place of articulation (in the case of the affricate). The acoustic measurements in the present study indicate that all palatalized sibilants in Ocotepec have an additional glide, unless they are followed by the high front vowel(s) /i (e)/, and that both the affricate and retroflex fricative show a consistent change in primary place of articulation under palatalization.
A two-week perturbation EMA-experiment was carried out with palatal prostheses. Articulatory effort for five speakers was assessed by means of peak acceleration and jerk during the tongue tip gestures from /t/ towards /i, e, o, y, u/. After a period of no change speakers showed an increase in these values. Towards the end of the experiment the values decreased. The results are interpreted as three phases of carrying out changes in the internal model. At first, the complete production system is shifted in relation to the palatal change, afterwards speakers explore different production mechanisms which involves more articulatory effort. This second phase can be seen as a training phase where several articulatory strategies are explored. In the third phase speakers start to select an optimal movement strategy to produce the sounds so that the values decrease.
A model is proposed that interprets a variety of connected speech processes as resulting from prosodic modulations at different tiers of functional speech motor control along the hypo-hyper dimension [10]. The general background of the model is given by the trichotomy of A-, B- and C-prosodic phenomena [15] that together constitute the acoustic makeup of any speech utterance (with regard to their respective time domains at the uttarance/phrase level, the syllabic level and the segmental level).
Many teachers of German as a second language make some statements regarding this language that mix concepts from three distinct fields: Orthography (letters), Phonetics (phones or speech sounds) and Phonology (phonemes). In this paper I attempt to shed some light on these concepts and fields. I also provide examples of such statements and make comments on them.
In this paper the issue of the nature of the representations of the speech production task in the speaker's brain is addressed in a production-perception interaction framework. Since speech is produced to be perceived, it is hypothesized that its production is associated for the speaker with the generation of specific physical characteristics that are for the listeners the objects of speech perception. Hence, in the first part of the paper, four reference theories of speech perception are presented, in order to guide and to constrain the search for possible correlates of the speech production task in the physical space: the Acoustic Invariance Theory, the Adaptive Variability Theory, the Motor Theory and the Direct-Realist Theory. Possible interpretations of these theories in terms of representations of the speech production task are proposed and analyzed. In a second part, a few selected experimental studies are presented, which shed some light on this issue. In the conclusion, on the basis of the joint analysis of theoretical and experimental aspects presented in the paper, it is proposed that representations of the speech production task are multimodal, and that a hierarchy exists among the different modalities, the acoustic modality having the highest level of priority. It is also suggested that these representations are not associated with invariant characteristics, but with regions of the acoustic, orosensory and motor control spaces.