Pandaemonium Germanicum Nr. 4
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- Andrade, Mário de (1)
- Anthropologie (1)
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- Creuzer, Friedrich (1)
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Two tableaux de la nature, two descriptions of the sunrise in the Amazon, from the travel journals of Carl Friedrich Philipp von Martius (1819) and Mário de Andrade (1927), are discussed from the perspective of Goethe's 'Theory of colours' (1810). While Martius' text is obliged to the Naturalist and Romantic tradition, Mário de Andrade, one of the voices of the avant-garde in the 20th century, expresses a "new aesthesia", within a conjunction of aesthetic and anthropological materialism. In this paper I intend to find out the extent to which the Naturalist Martius, the Poet Mário de Andrade and the scientist-and-poet Goethe propose a vision, in which Nature, far from being dominated, is respected as the true Partner of Civilization.
This paper gives a survey over the forms that can be used as prepositions in contemporary German. Apart from prototypical prepositions such as an [at, by], auf [on] or in [in], there are prepositions with the form of a content word or the form of a syntactical structure. Prepositions with the form of a content word look like adverbs (e.g. abseits [away], außerhalb [outside]), verbs (entsprechend [corresponding], betreffend [concerning]), adjectives (nahe [near], seitlich [at the side]) or nouns (trotz [despite], kraft [by virtue]); prepositions with the form of a syntactical structure look like prepositional phrases (im Gefolge [in the wake], am Rande [on the brink]). These "atypical" prepositions are of special interest for two reasons: (1) they raise the question of the delimitation of the grammatical category "preposition"; (2) unlike prototypical prepositions, they are often characterized by semantically irrelevant variations in position (preposing vs postposing) and in the choice of the governed case (dative vs genitive). These synchronic variations are documented by authentic examples from a large corpus of written German of the 90s, and are explained on the basis of a diachronic gramrnaticalization rnodel.
Este ensaio investiga a importância da violência na entrevista de Hubert Fichte com Hans Eppendorfer, o Homem de Couro – no plano conteudístico e no plano estrutural. Tenta-se demonstrar como Fichte manipula (violentamente) o entrevistado. A violência que é tema da entrevistae examinada dentro do horizonte da teoria fichtiana do ritual.
Kontingenz-Erfahrung in der Romantik : Ausdrucksbegehren und Zensur bei Karoline von Günderrode
(2000)
This article provides an overview of the life and work of Karoline von Günderrode (1780-1806) in the German Romantic period. Karoline von Günderrode is one of the most radical modern writers of her time as she expresses the experience of contingency, the signature of a modern age. The article also examines aspects of gendered censorship in her work, especially in her dramas. To understand the phenomenon, it is necessary to view censorship both from the outside and from within. Eighteenth-century drama and theatre were taboo fields for women. Günderrode reacted with a three-fold self-censorship: in her form of expression, in her choice ti write under two pseudonyms (Tian and Ion), and in her decision to leave a number of dramas unfinished. Karoline von Günderrode commited suicide at the age of 26, and it is possible to read even her suicide as an act of censorship in the context of the experience of contingency in the Romantic Period.