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In the 1960s and 1970s, Third World governments prescribed and imposed a certain kind of journalism variously called 'objective' journalism or 'development journalism'. They understood this as journalism restricted to reporting 'facts' as dished out by their propagandists and did not tolerate the questioning of government policy. By 'development journalism', they meant the mere reporting of government efforts to provide services, amenities and infrastructures and the singing of praises anytime a bridge was inaugurated, irrespective of whether it was well-built or whether the contract to build was awarded according to the norms of transparency and probity. This one-sided journalism was prevalent especially in state-owned media and media practitioners in the few private news publications that existed who did not toe the line were subjected to constant harassment and incarceration. However, with the coming of well-trained journalism graduates into the scene in the 1970s and the advent of global liberalization in the late 1980s and 1990s, daring journalists like Sam-Nuvala Fonkem thought it was time to take the bull by the horn and start taking a more critical look at government pronouncements, matching policy statements with real action in the field; in short, moving from 'objective' journalism to interpretative and investigative journalism. This collection of Sam-Nuvala Fonkem's writings is a sampling of the fruit of that new spirit to dare where angels hitherto feared to tread, to hold public officials to account and to expose the falsehood cached behind the political masquerade of the ruling class.
Kids: Africa in Childhood Poetry powerfully conveys the wishful thinking, imaginations, experiences and critical reflections of children as they grow up. The volume grapples with a wide range of topics, sensations, encounters, emotions, imaginations and vistas commonplace in the psyche of many children across different geographical and cultural spaces. While the audacity of Mawere's poetry finds its basis in the poet's profound ability to uncover a multi-layered journey of childhood to adulthood, its merit lies in the character building, psychological, axiological and pedagogical lessons it imparts in today's youths: it teaches the youths the values of moral rectitude, critical observation and thinking, and careful questioning and reflection. This is a collection for all parents, teachers and the youths of between ages 5-18 who cherish a world ruled by peace and unconditional love of all by all.
Working for Cameroon state-owned Radio in the 1970s and ?80s meant toeing the official line and learning not to sing out of tune. While the rather scanty private press that existed at the time was subject to prior censorship, a different kind of censorship ? self-censorship prevailed at the Radio where topics for commentaries were vetted by the Minister of Information or his delegate. But for Anglophones working in a predominantly francophone environment, once topics were approved, the authorities could not be sure which direction commentaries were going to take as the journalists applied the tactics of ?bite and blow?, sometimes giving full expression of their Anglo-Saxon spirit of debate and critical analysis as evidenced in this selection of commentaries from the Sunday morning commentary programme, ?Cameroon Report? (now ?Cameroon Calling?) of the late 1970?s up till 1986. It is a showcase of the irrepressible seed of freedom of expression that Anglophone journalists were imbued with and demonstrated at a time when subjects related to coups d?état, human rights and governance were considered taboo. It was and shall remain the indelible input of the Anglophone character that has had a positive influence on Cameroon?s media landscape.
The Clash of the Titans and Other Short Stories is a sundry, marvellous collection of short stories that reflect and capture diverse life experiences. Mabeza and Mawere offer with great dexterousness a snapshot, richness, and practical potentialities of childhood to adulthood experiences in shaping, inspiring and influencing moral rectitude, industriousness and determination. This is an incisive and invigorating exposé steeped in candour and earnestness. For aficionados of creative writing, cognoscenti, students and instructors of English Literature, this is a collection to enjoy and cherish.
Kpewi Durorp is the third attempt at bringing Durorp into the public domain, and is a more detailed introduction to the language. It contains sixteen chapters which address important elements of grammar, with some including mini bilingual dictionaries, with words organised not alphabetically but thematically, with the singular aim of facilitating learning and easy acquisition of the language. Durorp is an interesting and linguistically distinct semi-Bantu or Bantoid language spoken by a minority group of people known as Bororp or people of the Kororp ethnic group. A part of this ethnic group inhabits the Southwestern part of Cameroon while the other occupies the Southeastern tip of Nigeria. A minority group, Kororp has continued to suffer not only cultural and socio-economic shrinkage but also linguistic marginalisation characterised by an obvious erosion of some key elements of the language. Like any other language, however, Durorp has borrowings from languages such as Efik, Ejagham, and even English. There is a Durorp-English Dictionary to facilitate the development of Durorp vocabulary (Langaa, 2013).
A Troubadour's Thread
(2013)
This volume powerfully conveys the pilgrimage of a singular spirit through adversity, equanimity, immanence and eventually, transcendence. It grapples with a range of emotions, topics and sensations. Christopher Okigbo achieved similar results but in an entirely different manner. Okigbo's vision is epical in its dimensions while Osha's work is infused with a sustained lyricism, mutedness or even more appropriately, quietude. Osha's poetry unveils a multi-layered journey from artistic infancy to complete aesthetic maturity. Most of this journey dwells upon the poet's inner states in which vast geographical vistas are revealed.
The Kenyan population is highly concentrated in urban centres, leading to increased social, economic and environmental strains, with a significant percentage of urban dwellers living in sprawling slums. Urban development is increasingly a major focus, especially in the fight against urban sustainability problems. There is little practical orientation in the academic literature for the growing gap between the rich and poor. Current literature is enormously concerned with resource use and environmental pressures, paying scant attention to the nexus between urban sustainability and empowerment of the urban poor. This book initiates debates on the segment of urban population often referred to as 'the bottom of the pyramid (BOP)', by analysing the microfinance innovation following evaluation of the impacts of access to microfinance and financial training and the implications to urban sustainability in Kenya. The main conclusion reached is that microfinance has an instrumental role to play in promoting sustainable urban development as it supports social welfare improvement and increases the livelihood of participants, business development and urban sustainability to a certain extent, thereby empowering the urban poor in contributing to poverty alleviation.
Building on Fossungu's earlier works, and essentially providing Africa with original, critical, and multi-level analyses of the trio of globalization, democracy, and national determination, this book theorizes that African states have to unite in order to have any impact in the global economy. Using the failure of the Cameroon Goodwill Association of Montreal (CGAM) as a case study, the book urges Africans to make hard choices and avoid politickerization and midnight politics in favour of fossungupalogy (that is, the science of straightforwardness, necessitating the fearless looking at truth straight in the eye). The questions of the book are many but do all boil down to whether or not Africans fear the truth and do not therefore do politics. It is amazing that Africans in the West live in societies where fierce political competitors do embrace each other after one has defeated the other; but they are incapable of looking their so-called friends in the eye and saying, for example: 'Man, I think you've totally gotten it wrong this time.' Such comportment defines politickerization or negative competition. While attempting some possible responses to the numerous queries it raises, this book basically proffers the science of Four-Eyesism as a discipline that all African schools need to institute and make a compulsory subject: if the vandalized continent would have to be awakened to its realities. This book is rich in Fossungu's dazzling capacity to invent, define and use a multitude of new terminological constructs informed by African experiences.
Duce Kingdom
(2013)
Duce Kingdom is a compelling mythical story of magic, sacrilege and violence, written in fine-styled first and third person dialogue and narration. The story commences with the rage of darkness into the official inauguration of the king, amid popular frustrations with the rigid laws and traditions of the kingdom. Sacrifice of virgins to gods, wars, romance and beheadings of criminals, make the future uncertain. The birth of Zalinda, a powerful sorcerer, redeems the kingdom from its woes.
This book is an opportune warning that alienation, estrangement and intentional diminishment serve as a cancer upon those who disburse it. The outsider suffers by being alone; the insider suffers even more by being forever known as a hypocrite who perpetuates dystopia. It uses literature as a hothouse for poisonous potted plants, the workings of a mind in turmoil and the exploration of a society or societies that seems to derive pleasure from others' ruin. Fears, Doubts, and Joy of Not Belonging considers themes that are biblical in scope from different societies and historical epochs. It is a sobering spiritual enlightenment of a child's 'silent treatment' in adult form. The text complements language engineers and social scientists who are on a quest or search for how the individual responds to pressure that is unexpected, ill-conceived and in desperate need of alleviation. Not only does this particular type of cancer differ from the type a surgeon can treat, the stage at which this malady is diagnosed causes far more problems than if it were dealt with head on. Pursuing numerous examples of estrangement, this diverse text delves into a wide spectrum of human behavior while coming to the realization that these problems are universal and have been with us for a long, long time. The purpose of resistance, individuality and personal identity is to rise above these obstacles without losing hope, resilience or optimism.