TY  - CHAP
A1  - Sánchez, Yvette
A2  - Hunkeler, Thomas
A2  - Jaussi, Sophie
A2  - Légeret, Joëlle
T1  - Fälschungen als Systemfehler oder Faktor künstlerischer Produktivität?
T2  - Produktive Fehler, konstruktive Missverständnisse = Erreurs productives, malentendus constructifs, Colloquium Helveticum ; 46
N2  - Experimentation with forgeries in art and literature as a deliberate renunciation of authenticity and originality was practiced long before postmodern times. The following article shows a network of literary forgers playing around with apocryphal constructs. It monitors a chain reaction from the pioneer Cervantes in his meta-fictional second part of 'Don Quixote' to Jorge Luis Borges' "Pierre Menard" rewriting one chapter of Cervantes' classic and Umberto Eco's postmodern construction of Borges' invented character Bustos Domecq ending up at Pablo Katchadjian's "Aleph gaining weight". Radical appropriation between artistic resource and informal practice contributes to dismantled orthodoxy, subverted values, and attacked conventions. Plagiarism loses its harming effect; instead, authors celebrate different types of forgeries by simulation, bluff, lies, manipulation, or camouflage. Ultimately, by these artistic devices, they shed light on the affinity to processes of fictionalization itself.
KW  - Fälschung
KW  - Fälschung <Motiv>
KW  - Kunstproduktion
KW  - Scheitern
KW  - Originalität
KW  - Authentizität
KW  - Autorschaft
KW  - Borges, Jorge Luis
KW  - Pastiche
KW  - Pierre Ménard, autor del Quijote
KW  - Vergleichende Literaturwissenschaft
Y1  - 2017
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/47396
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-473967
SN  - 978-3-8498-1249-2
SN  - 0179-3780
VL  - 2017
SP  - 13
EP  - 29
PB  - Aisthesis Verlag
CY  - Bielefeld
ER  -