TY  - JOUR
A1  - Liese, Lea
T1  - Das Kunstzitat als Selbstzitat? : verstimmte Einfühlung in Arthur Schnitzlers "Fräulein Else"
T2  - Musik und Emotionen in der Literatur = Musique et émotions dans la littérature = Music and Emotions in Literature / herausgegeben von Corinne Fournier Kiss. Colloquium Helveticum 48
N2  - In the 1924 novella "Fräulein Else" by Arthur Schnitzler, intermediality influences narrative empathy. Written in the stream of consciousness technique, the text presents an examination of the nineteen-year-old protagonist's inner struggle and its sexual implications (to save her father from jail, Else must approach an elderly acquaintance to borrow money from him), arousing the reader's empathy. The image of Else is supported, even overlapped by hidden art references - examples of how women have been portrayed and represented in art and cultural history. In the most famous moment of the novella - Else undresses herself during a public concert - the stream of consciousness is interrupted by musical excerpts. Mostly considered as an emotional catalyst, at this point the musical quotation is blocking narrative empathy. Else's thoughts as well as her naked body become unreadable, because the notation is indifferent towards the reader's desires. Paradoxically, the narrative turning point is represented by an intermedial censorship.
KW  - Schnitzler, Arthur
KW  - Fräulein Else
KW  - Musik <Motiv>
KW  - Intermedialität
KW  - Einfühlung
Y1  - 2019
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/57607
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-576075
SN  - 978-3-8498-1647-6
SN  - 978-3-8498-1391-8
SN  - 978-3-8498-1392-5
SN  - 0179-3780
VL  - 48
SP  - 376
EP  - 384
PB  - Aisthesis
CY  - Bielefeld
ER  -