TY  - CHAP
A1  - Sacco, Daniela
T1  - Reenactment in theatre : some reflections on the philosophical status of restaging
T2  - Over and over and over again : reenactment strategies in contemporary arts and theory / ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini ; Cultural Inquiry ; 21
N2  - Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The "Orestea (una commedia organica?)" by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival in 2015, twenty years after its 1995 world premiere in Prato, is the starting point for a reflection on the status of restaging in theatre. This case study is the occasion to apply Walter Benjamin's philosophical concept of the 'Jetztzeit' to a theatrical context, and to consider also the 'citational' value of theatrical reenactment. These concepts are useful to study not only the reenactment of theatrical gesture and acting but also to consider the practice of restaging related to the theatrical event conceived in its entirety.
KW  - Aeschylus
KW  - Orestia
KW  - Inszenierung
KW  - Castellucci, Romeo
KW  - Societas Raffaello Sanzio
KW  - Aufführung
KW  - Paris
KW  - Geschichte 2015
KW  - Reenactment
KW  - Restaging
Y1  - 2022
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/67780
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-677800
UR  - https://press.ici-berlin.org/doi/10.37050/ci-21/sacco_reenactment-in-theatre.pdf
SN  - 978-3-96558-029-9
SN  - 978-3-96558-028-2
SN  - 2627-731X
SP  - 132
EP  - 140
PB  - ICI Press
CY  - Berlin
ER  -