TY  - CHAP
A1  - Baldacci, Cristina
T1  - Re-presenting art history : an unfinished process
T2  - Over and over and over again : reenactment strategies in contemporary arts and theory / ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini ; Cultural Inquiry ; 21
N2  - Can reenactment both as reactivation of images and restaging of exhibitions be considered an alternative way of tackling the critical task to re-present art history (i.e., to present it anew) in the here and now, over and over and over again? The gesture of restoring visibility to something no longer present, reactivating or reembodying it as an object/image in and for the present, is here proposed as a (political) act of restitution and historical recontextualization. Examining the boundaries between past and present, original and copy (as well as originality and copyright), repetition and variation, authenticity and auraticity, presence and absence, canon and appropriation, durée and transience, the paper focuses on remediation, reinterpretation, and reconstruction as creative gestures and cultural promises in contemporary art practice, curatorship, and museology.
KW  - Kunst
KW  - Reenactment
KW  - Kunstgeschichtsschreibung
KW  - Museum
KW  - Ausstellung
KW  - Original
KW  - Kopie
KW  - Wiederholung
KW  - Variation
KW  - Warburg, Aby Moritz
KW  - Mnemosyne
KW  - Re-presentation
KW  - Curatorship
KW  - Art history
Y1  - 2022
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/67846
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-678460
UR  - https://press.ici-berlin.org/doi/10.37050/ci-21/baldacci_re-presenting-art-history.pdf
SN  - 978-3-96558-029-9
SN  - 978-3-96558-028-2
SN  - 2627-731X
SP  - 174
EP  - 182
PB  - ICI Press
CY  - Berlin
ER  -