TY  - JOUR
A1  - Fletcher, Jonathan
T1  - "Anything can happen" : narrative ambiguity and musical intertextuality in THE HOLIDAY
T2  - Kieler Beiträge zur Filmmusikforschung
N2  - Romantic comedies are not renowned for intricate storytelling and have rarely been deemed worthy of the sustained scholarly attention of analytic ‘close readings’. What applies to the genre as a whole applies no less to its music, which has yet to be discovered by film musicology as a field of enquiry. But genre films such as romcoms can be highly self-conscious and self-reflexive, and can show a playfulness in their use of cinematic techniques that may be as much fun for the analyst as for the audience.
KW  - Filmmusik
KW  - Zimmer
KW  - Hans
KW  - Meyers
KW  - Nancy
Y1  - 2008
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/13452
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30-1143295
VL  - 2008
IS  - 2
SP  - 135
EP  - 141
PB  - Kieler Gesellschaft für Filmmusikforschung
CY  - Kiel
ER  -