TY  - JOUR
A1  - Hirth, André
T1  - La musique et le rêve
T2  - Aisthesis
N2  - Adorno, in his posthumous work Beethoven. Philosophy of music, grasps the deep relationship between music and dream: “we are in music, as well as we are in dream”. Music is the coming of a non-intentional truth, that is never caught by images and words. In the same way, dream follows the logic of a non-giudicatory synthesis and is incompatible with the category of dialectical totality: in dream, truth announces her-self as it fades out. According to Adorno, the dimension of opening typical to dream and music collides with the pretension of philosophical discourse that aims at the total revelation.
Y1  - 2012
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/56808
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-568086
UR  - https://oajournals.fupress.net/index.php/aisthesis/article/view/529
SN  - 2035-8466
VL  - 3
IS  - 2
SP  - 193
EP  - 204
PB  - Università degli studi di Firenze, Seminario Permanente di Estetica
CY  - Firenze
ER  -