TY  - JOUR
A1  - Bulgakowa, Oksana
T1  - The ear against the eye : Vertov’s symphony
T2  - Kieler Beiträge zur Filmmusikforschung
N2  - Vertov defined the basic qualities of his Cine-Eye by means of a simple negation: it sees what remains inaccessible to the human eye. This means that in his films we see media-based and media-produced images that have nothing to do with the imitation of human perception. According to Vertov, such filmic, telescopic, or microscopic perception develops, educates, and expands the viewer’s analytical abilities. Thus, we have on the one hand a media-induced perception and on the other a new assemblage or montage of the fragments of this mediated perception. This new montage is based on a specific interaction and follows poetic rather than prosaic rules. It is freed from such constraints as time, space, causality, or speed. In other words it is based on properly media-specific qualities and, following the terminology of the Russian Futurists who influenced Vertov in his youth, it constitutes zaum or transrationality.
KW  - Filmmusik
KW  - Vertov
KW  - Dziga
Y1  - 2008
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/13448
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30-1143256
VL  - 2008
IS  - 2
SP  - 142
EP  - 158
PB  - Kieler Gesellschaft für Filmmusikforschung
CY  - Kiel
ER  -