TY  - CHAP
A1  - Schepelern, Peter
A2  - Grodal, Torben
A2  - Larsen, Bente
A2  - Laursen, Iben Thorving
T1  - The making of an auteur : notes on the auteur theory and Lars von Trier
T2  - Visual authorship : Creativity and intentionality in media, 
Northern lights : film and media studies yearbook ; 2004
N2  - When the concept of the auteur was coined in the 1950s and 1960s, it was an initiative to clarify the obscure matters of authorship in cinema. Because a film must necessarily be a collective work, understood as the result of a large number of creative contributions, it was often unclear who the decisive power behind a certain film was, who contributed the "distinctive quality". The control will usually belong to the director, the producer or the star (or all three in combination), but what singles out a given film could also come from the cinematographer, the scriptwriter, from the author of an adapted literary work, or from traditions in the studio or in the genre. Nothing can be taken for granted about a film's authorship, it can only be decided through a thorough analysis of each film's production process, an analysis that, in most cases, will be impossible to make. ...
Y1  - 2004
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/10828
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30-1119702
SN  - 87-635-0128-7
SN  - 1601-829X
N1  - Signatur: 13.372.86
SP  - 103
EP  - 167
PB  - Museum Tusculanum Press
CY  - Copenhagen
ER  -