TY  - CHAP
A1  - Cangiano, Serena
A1  - Fornari, Davide
A1  - Seratoni, Azalea
T1  - Re-search, re-enactment, re-design, re-programmed art
T2  - Over and over and over again : reenactment strategies in contemporary arts and theory / ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini ; Cultural Inquiry ; 21
N2  - Kinetic and programmed art has been a trend of contemporary arts that flourished in the 1950s and 1960s. Kinetic artworks often incorporated technology, at that time still immature, and involved the audience in the production of visual, sound, and somatic effects. Gruppo T was the pioneering group at the forefront of this groundbreaking vision of art as reproducible, participatory, and interactive. Through an action research project and the methodological tool of reenactment, a group of researchers, designers, and artists has proposed an alternative way to conserve Gruppo T artworks. The project 'Re-programmed Art: An Open Manifesto' originated from the ephemeral and experimental features, as well as fragility, of the works by Gruppo T - that is, from the difficulties of practice, conservation, technology, and market that have confined them for far too long to the margins of mainstream art history. We conceive reenactment not just a mere restaging but as re-designing, re-thinking, updating, and reprogramming a series of works by Gruppo T.
KW  - Gruppe T
KW  - Kinetische Kunst
KW  - Reenactment
KW  - Konservierung
KW  - Gruppo T
KW  - Programmed art
KW  - Preservation
KW  - Open design
Y1  - 2022
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/67781
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-677818
UR  - https://press.ici-berlin.org/doi/10.37050/ci-21/cangiano-fornari-seratoni_re-programmed-art.pdf
SN  - 978-3-96558-029-9
SN  - 978-3-96558-028-2
SN  - 2627-731X
SP  - 142
EP  - 150
PB  - ICI Press
CY  - Berlin
ER  -