TY  - JOUR
A1  - Ette, Ottmar
T1  - Motion, Emotion, Musik : Alexander von Humboldts experimentelle Klangtexte
T2  - Colloquium Helveticum
N2  - Although Alexander von Humboldt is well known for his major impact on the development of new scientific knowledge and the rise of disciplines such as Geography and Ecology, his critical reflections on languages from a scientific point of view, as well as from an aesthetic perspective, still receive little attention. New research has shown that von Humboldt's writings on the languages of indigenous people may well be considered the beginning of anthropological-comparative linguistics. This article outlines the significance of von Humboldt's aesthetics of language in his own scientific texts. He explores the different dimensions of sound landscapes, combinating scientific description in prose and the sound of the indigenous terms. By this strategy, he connects different forms of "text islands" ('Textinseln') in order to create an intratextual web of knowledge archipelagos based on his concept of a science which refers to the senses ('sinnliche Wissenschaft'). The polyphonic structure of his writing opens up a collage of natural musical arrangements of animal and human sounds, fused into a common language of life forms bound together by the "phonotextual" soundscape of his writing skills. By merging epistemic and aesthetic forms, he creates a symphony of life between art, science, and nature.
KW  - Humboldt, Alexander von
KW  - Sprache
KW  - Klang
KW  - Soundscape
KW  - Lautäußerung
KW  - Waldtiere
KW  - Nacht
Y1  - 2019
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/57451
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-574513
UR  - https://nbn-resolving.org/urn:nbn:de:101:1-2020022711262799355414
SN  - 978-3-8498-1647-6
SN  - 978-3-8498-1391-8
SN  - 978-3-8498-1392-5
SN  - 0179-3780
VL  - 48
SP  - 28
EP  - 52
PB  - Aisthesis
CY  - Bielefeld
ER  -