TY  - JOUR
A1  - Cezar Ferreira, Antonio
T1  - Aspekte populärer Musik Brasiliens
T2  - Contingentia : Zeitschrift der Deutschen Abteilung in Zusammenarbeit mit der Post-Graduierung im Bereich Literatur- und Sprachwissenschaft der Bundesuniversität Porto Alegre (UFRGS)
N2  - The Brazilian Choros combines rhythmic gesture, ongoing harmonies and sequences of motives in one single melody. This technique derives from baroque music and can be compared to the suites for cello by J.S.Bach. The Portuguese colonists brought their baroque music with them to Brazil where it later merged with the rhythmic music brought in by the West African slaves. In this means the first original Brazilian music was generated. This article will argue that both musical idioms are not as separated as one may believe.
KW  - Unterhaltungsmusik
KW  - Brasilien
KW  - Musik
KW  - Soziologie
Y1  - 2007
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/25040
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-250408
UR  - http://seer.ufrgs.br/contingentia/article/view/3870
SN  - 1980-7589
VL  - 2
IS  - 2
SP  - 111
EP  - 119
PB  - Universidade Federal do Rio Grande do Sul, Instituto de Letras
CY  - Porto Alegre
ER  -