TY  - CHAP
A1  - Gloor, Lukas
A2  - Hunkeler, Thomas
A2  - Jaussi, Sophie
A2  - Légeret, Joëlle
T1  - Robert Walsers Grenzwertigkeit : 'Erzählen-als-Schreiben' in "Der Spaziergang"
T2  - Produktive Fehler, konstruktive Missverständnisse = Erreurs productives, malentendus constructifs, Colloquium Helveticum ; 46
N2  - Robert Walser's text "The Walk" enacts a narrative that is genuinely describable as one 'on the border' to non-narrativity. This paper takes a look at how "The Walk" uses indicators of narrativity / narrativeness in order to subvert them, especially by dissolving narrative times. This leads to narrative performativity. Its narrative techniques are mirrored in the very Walserian self-description of eating a meal. In the central episode of the "The Walk" the protagonist eats "pieces" (German "Stücke"), what in Walser's terminology means both sweets and narratives ("Prosastückli"). This leads to a circle of intertextuality, in which the writer reads his own text and re-writes it at the same time. Nonetheless, "The Walk" is not a pure manifestation of self-reflexivity because its non-systematic narration is undeniable. Walser's "The Walk" formulates and follows a poetics of "narrating-as-writing" which highlights both performativity and materiality of the act of narration.
KW  - Walser, Robert
KW  - Der Spaziergang
KW  - Erzähltheorie
KW  - Ich-Form
KW  - Selbstbezüglichkeit
KW  - Spaziergang <Motiv>
Y1  - 2017
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/47420
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-474204
SN  - 978-3-8498-1249-2
SN  - 0179-3780
VL  - 2017
SP  - 179
EP  - 186
PB  - Aisthesis Verlag
CY  - Bielefeld
ER  -