TY  - CHAP
A1  - Buongiorno, Federica
T1  - Reduction in computer music : bodies, temporalities, and generative computation
T2  - The case for reduction / edited by Christoph F.E. Holzhey and Jakob Schillinger ; Cultural Inquiry ; 25
N2  - In the age of pervasive computing the way our body interacts with reality needs to be reconceptualized. The reduction of embodiment is a problem for computer music since this music relies heavily on different layers of (digital) technology and mediation in order to be produced and performed. The article shows that such a mediation should not be conceived of as an obstacle but rather as a constitutive element of a permanent, complex negotiation between the artist, the machinery, and the audience, aimed at shaping a different temporality for musical language (as the Italian artist Caterina Barbieri develops).
KW  - Computermusik
KW  - Phänomenologie
KW  - Barbieri, Caterina
KW  - Temporalität
KW  - Temporality
Y1  - 2022
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/72260
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-722607
UR  - https://press.ici-berlin.org/doi/10.37050/ci-25/buongiorno_reduction-in-computer-music.pdf
SN  - 978-3-96558-041-1
SN  - 978-3-96558-040-4
SN  - 2627-731X
SP  - 175
EP  - 190
PB  - ICI Press
CY  - Berlin
ER  -