Performance art in the 1990s and the generation gap

  • In the 1990s, the question of the legacy of historical performance was posed with a particular sense of urgency. In the context of most pioneers of the art form having retired from live performance, reenactments not only reproduced past works but positioned artists within the genealogy of performance. The sense of the passage of a generation and the transmission of the memory of past performances were made explicit by Marina Abramović in "The Biography" (1992), a theatre piece in which she stages the very process of accounting for her past, as well as by Takashi Murakami and Oleg Kulik, who emerged on the art scene in the 1990s and mimicked live works from the past.

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Author:Pierre Saurisse
Parent Title (English):Over and over and over again : reenactment strategies in contemporary arts and theory / ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini ; Cultural Inquiry ; 21
Publisher:ICI Press
Place of publication:Berlin
Document Type:Part of a Book
Date of Publication (online):2022/04/14
Year of first Publication:2022
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2022/05/10
GND Keyword:Performance <Künste>; Reenactment; Geschichte 1990-2000; Abramović, Marina
Page Number:9
First Page:162
Last Page:169
Dewey Decimal Classification:7 Künste und Unterhaltung / 79 Sport, Spiele, Unterhaltung / 790 Freizeitgestaltung, darstellende Künste, Sport
8 Literatur / 80 Literatur, Rhetorik, Literaturwissenschaft / 800 Literatur und Rhetorik
Sammlungen:CompaRe | Allgemeine und Vergleichende Literaturwissenschaft
CompaRe | Allgemeine und Vergleichende Literaturwissenschaft / ICI Berlin
Licence (German):License LogoCreative Commons - Namensnennung-Weitergabe unter gleichen Bedingungen 4.0