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German postmemory and ambivalent home desires: a critical reading of Nora Krug’s (2018) graphic novel "Heimat: a german family album"

  • This review analyses the aesthetic engagement with Nazi atrocities during WWII and belonging in post-war Germany as presented in Nora Krug’s graphic novel Heimat: A German Family Album. The authors employ Marianne Hirsch’s concept of ‘postmemory’ as an analytical tool that helps them locate the complex historical and emotional contexts from which this graphic novel receives its impulses. The concrete scenes from the novel are presented and subsequently related to the field of memory and postmemory scholarship. Wider critical debates on how aesthetic articulations of past atrocities influence the next generations of ‘victims’ and ‘perpetrators’ are examined, to ask: What does it mean to inhabit memories of ghostly narratives about perpetrators and how does it form a feeling of post-home?

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Metadaten
Author:Marija Grujić, Ina Schaum
URN:urn:nbn:de:hebis:30:3-681957
URL:https://journals.sub.uni-hamburg.de/ethnoscripts/article/view/1422
ISSN:2199-7942
Parent Title (German):EthnoScripts : Zeitschrift für aktuelle ethnologische Studien
Publisher:Verlag der SUB Hamburg, Hamburg University Press
Place of publication:Hamburg
Document Type:Article
Language:English
Date of Publication (online):2019/09/18
Date of first Publication:2019/09/18
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2022/05/18
Tag:Heimat; belonging; post-home; postmemoryv
Volume:21
Issue:1
Page Number:18
First Page:196
Last Page:212
HeBIS-PPN:495857459
Institutes:Gesellschaftswissenschaften / Gesellschaftswissenschaften
Dewey Decimal Classification:3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften
7 Künste und Unterhaltung / 74 Zeichnung, angewandte Kunst / 741.5 Comics, Cartoons, Karikaturen
Sammlungen:Universitätspublikationen
Licence (German):License LogoCreative Commons - Namensnennung-Weitergabe unter gleichen Bedingungen 4.0