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Hans Ulrich Gumbrechts Begriff der Präsenz und die Literatur

  • The notion of "presence" in contemporary debates about aesthetic experience ("ästhetisches Erleben") marks a turn against the premises of deconstruction. One of the most prominent figures in using the concept of "presence" is the german-american literary theorist Hans Ulrich Gumbrecht. In his works "presence" is not only a corporal experience in the aesthetic experience, it suspends sense and promotes the dimension of space against that of time. Moments of intensity in the observation of artworks can be read as moments of oscillation between sense and presence. This article outlines the main characteristics of Gumbrecht's notion of presence and discusses possibilities of reading literary texts with that concept in mind.

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Metadaten
Author:Elias Kreuzmair
URN:urn:nbn:de:hebis:30:3-353873
URL:http://helikon-online.de/2012/Kreuzmair_Pr%C3%A4senz.pdf
ISSN:2195-2868
Parent Title (German):Helikon
Publisher:[s.n.]
Place of publication:München
Document Type:Article
Language:German
Year of Completion:2014
Year of first Publication:2012
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2014/10/30
GND Keyword:Präsenz <Philosophie>; Gumbrecht, Hans Ulrich; Literaturwissenschaft; Ästhetik
Volume:2
Page Number:16
First Page:233
Last Page:247
HeBIS-PPN:366669958
Dewey Decimal Classification:8 Literatur / 80 Literatur, Rhetorik, Literaturwissenschaft / 800 Literatur und Rhetorik
Sammlungen:CompaRe | Allgemeine und Vergleichende Literaturwissenschaft
BDSL-Klassifilation:03.00.00 Literaturwissenschaft / BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.07.00 Ästhetik
Licence (German):License LogoDeutsches Urheberrecht