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De-automatization in Timothy Findley's "The Wars"

  • Timothy Findley's "The Wars" is a very powerful and disturbing book. Despite the novel's historically distant setting, the events of "The Wars" do not seem distant at all: the reader is brought close to the horrible violence of World War I and its devastating impact on a young mind. The question is why? The topic is certainly not new — we are аll too familiar with the World War I period. The theme is also an old one — a young man's loss of innocence and baptism by fire on the battlefield. The novelty and vividness of Findley's work are attributable to another source: its form. I hope to show that one artistic device in particular — de-automatization — is largely responsible for the novel's powerful impact on the modern reader.

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Metadaten
Author:Vladimir Tumanov
URN:urn:nbn:de:hebis:30:3-363890
ISSN:0008-4360
Parent Title (German):Canadian literature
Publisher:University of British Columbia
Place of publication:Vancouver
Document Type:Article
Language:English
Date of Publication (online):2014/12/30
Year of first Publication:1991
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2014/12/30
GND Keyword:Findley, Timothy / The wars; Erzähltechnik
Volume:130
Issue:130
Page Number:9
First Page:107
Last Page:115
HeBIS-PPN:367459639
Dewey Decimal Classification:8 Literatur / 80 Literatur, Rhetorik, Literaturwissenschaft / 800 Literatur und Rhetorik
Sammlungen:CompaRe | Allgemeine und Vergleichende Literaturwissenschaft
BDSL-Klassifikation:03.00.00 Literaturwissenschaft / BDSL-Klassifikation: 03.00.00 Literaturwissenschaft > 03.07.00 Ästhetik
Licence (German):License LogoDeutsches Urheberrecht