Looking for colour on greek and roman sculpture
- Review of: Vinzenz Brinkmann, Oliver Primavesi, Max Hollein (eds.), Circumlitio. The Polychromy of Antique and Medieval Sculpture. Proceedings of the Johann David Passavant Colloquium, 10-12 December 2008. Liebighaus Skulpturensammlung, Frankfurt am Main, 2010, 423 pp., 334 colour ill.,ISBN 978-3-7774-2871-0 New scientific methods now being applied to the analysis of traces of pigments and gilding on ancient Greek and Roman marble statuary, and other marble artefacts, have the potential to revolutionise our understanding of the relationship between form and colour in antiquity. At present the enquiry is still in its infancy, but the papers delivered at a conference held in Frankfurt in 2008, reviewed here, provide a general introduction to the subject and to a wide range of work in progress.
Author: | Amanda Claridge |
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URN: | urn:nbn:de:hebis:30:3-563504 |
URL: | https://arthistoriography.files.wordpress.com/2011/12/claridge.pdf |
ISSN: | 2042-4752 |
Parent Title (German): | Journal of Art Historiography |
Publisher: | Institute for Art History, Univ. of Glasgow |
Place of publication: | Glasgow |
Document Type: | Review |
Language: | English |
Year of Completion: | 2011 |
Year of first Publication: | 2011 |
Publishing Institution: | Universitätsbibliothek Johann Christian Senckenberg |
Release Date: | 2020/10/22 |
Volume: | 5 |
Issue: | 5 |
Page Number: | 6 |
HeBIS-PPN: | 471543667 |
Institutes: | Sprach- und Kulturwissenschaften |
Dewey Decimal Classification: | 7 Künste und Unterhaltung / 73 Bildhauerkunst, Keramik, Metallkunst / 730 Plastische Künste; Bildhauerkunst |
Sammlungen: | Universitätspublikationen |
Licence (German): | Deutsches Urheberrecht |