Possibilità dell’aura tra arte e musica. Appunti su Benjamin e Adorno

  • In Paris, metropolis of xix century, Benjamin traces the new paradigm of modernity: the modern theatrical dimension corresponds to the artistic innovations and to the reproduction of aesthetical requests. Entfremdung and Neutralisierung are the main characters of the Ästhetisierung and they are one with the distraction as principle of reception and the conformism as principle of valuation. This is the context of the aura’s decline. The Adorno’s critical essay on the radio (1963) analyses the transformation of works of art in cultural gifts and, in particular, the loss of autonomy of the musical work of art in the radio listening. The Adorno’s remarks recognize the historical character of aura and a new possibility that it can re-emerge in a new historical dimension of the music.

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Author:Leonardo V. Distaso
Parent Title (German):Rivista di estetica
Publisher:Università di Torino, Dipartimento di Discipline Filosofiche
Place of publication:Torino
Document Type:Article
Date of Publication (online):2013/03/01
Year of first Publication:2013
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2020/11/21
Page Number:12
First Page:69
Last Page:80
Institutes:Gesellschaftswissenschaften / Gesellschaftswissenschaften
Philosophie und Geschichtswissenschaften / Philosophie
Angeschlossene und kooperierende Institutionen / Institut für Sozialforschung (IFS)
Dewey Decimal Classification:1 Philosophie und Psychologie / 10 Philosophie / 100 Philosophie und Psychologie
3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften
7 Künste und Unterhaltung / 70 Künste / 700 Künste; Bildende und angewandte Kunst
7 Künste und Unterhaltung / 78 Musik / 780 Musik
Licence (German):License LogoCreative Commons - Namensnennung-Nicht kommerziell - Keine Bearbeitung 4.0