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To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance (Article)

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| '--' ||  | ||__    \ \/ //    -| ||-     | ||    / //\ \\ 
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|_|| |_||  |_____||    \//     /_____//  /__//    |_||  |_||
`-`  `-`   `-----`      `      `-----`   `--`     `-`   `-` 
                                                            
 


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