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Introduction
(2006)
The papers in this volume reflect a number of broad themes which have emerged during the meetings of the project as particularly relevant for current Bantu linguistics. [...] The papers show that approaches to Bantu linguistics have also developed in new directions since this foundational work. For example, interaction of phonological phrasing with syntax and word order on the one hand, and with information structure on the other, is more prominent in the papers here than in earlier literature. Quite generally, the role of information structure for the understanding of Bantu syntax has become more important, in particular with respect to the expression of topic and focus, but also for the analysis of more central syntactic concerns such as questions and relative clauses. This, of course, relates to a wider development in linguistic theory to incorporate notions of topic and focus into core syntactic analysis, and it is not surprising that work on Bantu languages and on linguistic theory are closely related to each other in this respect. Another noteworthy development is the increasing interest in variation among Bantu languages which reflects the fact that more empirical evidence from more Bantu languages has become available over the last decade or so. The picture that emerges from this research is that morpho-syntactic variation in Bantu is rich and complex, and that there is strong potential to link this research to research on micro-variation in European (and other) languages, and to the study of morpho-syntactic variables, or parameters, more generally.
Much work on the interaction of prosody and focus assumes that, crosslinguistically, there is a necessary correlation between the position of main sentence stress (or accent) and focus, and that an intonational pitch change on the focused element is a primary correlate of focus. In this paper, I discuss primary data from three Bantu languages – Chichewa, Durban Zulu and Chitumbuka – and show that in all three languages phonological re-phrasing, not stress, is the main prosodic correlate of focus and that lengthening, not pitch movement, is the main prosodic correlate of phrasing. This result is of interest for the typology of intonation in illustrating languages where intonation has limited use and where, notably, intonation does not highlight focused information in the way we might expect from European stress languages.