TY  - CHAP
A1  - Saurisse, Pierre
T1  - Performance art in the 1990s and the generation gap
T2  - Over and over and over again : reenactment strategies in contemporary arts and theory / ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini ; Cultural Inquiry ; 21
N2  - In the 1990s, the question of the legacy of historical performance was posed with a particular sense of urgency. In the context of most pioneers of the art form having retired from live performance, reenactments not only reproduced past works but positioned artists within the genealogy of performance. The sense of the passage of a generation and the transmission of the memory of past performances were made explicit by Marina Abramović in "The Biography" (1992), a theatre piece in which she stages the very process of accounting for her past, as well as by Takashi Murakami and Oleg Kulik, who emerged on the art scene in the 1990s and mimicked live works from the past.
KW  - Performance <Künste>
KW  - Reenactment
KW  - Geschichte 1990-2000
KW  - Abramović, Marina
Y1  - 2022
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/67783
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-677837
UR  - https://press.ici-berlin.org/doi/10.37050/ci-21/saurisse_performance-art-in-the-1990s.pdf
SN  - 978-3-96558-029-9
SN  - 978-3-96558-028-2
SN  - 2627-731X
SP  - 162
EP  - 169
PB  - ICI Press
CY  - Berlin
ER  -