TY  - JOUR
A1  - Andermatt, Michael
T1  - Artificial life and romantic brides
N2  - The animated statues, robots and monsters in German Romantic narratives, as I will argue throughout, tell us something about the Romantic conception of the mutually embedded relationship between art and life. In the works of the German Romantics, the theme of artificial humans thus has an essentially autopoetic, or selfreflexive, function (cf. Schmitz-Emans 1993, 168f). It corresponds in exemplary fashion with Friedrich Schlegel´s idea of transcendental poetry, which should always be “poetry and simultaneously the poetry of poetry” (Schlegel [1985], 50). In the theme of artificial life as well as in transcendental poetry, the observation of the world is integrally bound up with the observation of art and the self (cf. Kremer [1996], 8ff).
KW  - Roboter
KW  - Monster
Y1  - 2008
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/10422
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30-1116282
UR  - http://homepage.hispeed.ch/M.Andermatt/publikation6.html
N1  - Postprint ; zuerst in Gerald Gillespie/Manfred Engel/Bernard Dieterle: Romantic Prose Fiction - Amsterdam, 2008, S. 204-225
ER  -