TY  - CHAP
A1  - Stankovic, Peter
A2  - Jakiša, Miranda
A2  - Pflitsch, Andreas
T1  - Revolution for whom? : constructions of gender identities in Slovenian partisan films
T2  - Jugoslawien - Libanon : Verhandlung von Zugehörigkeit in den Künsten fragmentierter Kulturen / Miranda Jakiša ; Andreas Pflitsch (Hg.), TopographieForschung ; Bd. 3
N2  - Slovenian partisan film is a term which denotes films glorifying Slovenian communist-led guerrilla fighters (so-called 'partisans'), who resisted the German and Italian occupying forces during WW II. These films were made during the decades of communist rule in post-war Yugoslavia and were an important part of the official ideological propaganda. Since the fall of communism in 1989 and Slovenia's secession from former Yugoslavia two years later, however, partisan films have fallen into complete neglect. This is regrettable since they not only represent an important (and not necessarily unattractive) part of Slovenian film history but also allow unique insights into the complexities of the official ideology during the decades of communist rule in the country (1945−89). Namely, the existing ideology was not as simple as might have seemed from the outside: while the Slovenian Communist party had no problems with class issues (class inequalities were regarded according to the Marxist agenda as bad and everything was actually done to eliminate them), there were many important areas of social life that were neglected or dealt with in ideologically relatively ambivalent terms.
KW  - Slowenien <Motiv>
KW  - Partisan <Motiv>
KW  - Film
Y1  - 2012
UR  - http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/38528
UR  - https://nbn-resolving.org/urn:nbn:de:hebis:30:3-385281
SN  - 978-3-86599-149-2
SP  - 119
EP  - 139
PB  - Kulturverlag Kadmos
CY  - Berlin
ER  -