English syllabification as the interaction of markedness constraints
- The present study offers an Optimality-Theoretic analysis of the syllabification of intervocalic consonants and glides in Modern English. It will be argued that the proposed syllabifications fall out from universal markedness constraints – all of which derive motivation from other languages – and a language-specific ranking. The analysis offered below is therefore an alternative to the traditional rule-based analyses of English syllabification, e.g. Kahn (1976), Borowsky (1986), Giegerich (1992, 1999) and to the Optimality-Theoretic treatment proposed by Hammond (1999), whose analysis requires several language-specific constraints which apparently have no cross-linguistic motivation.
Author: | Tracy Alan Hall |
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URN: | urn:nbn:de:hebis:30:3-309145 |
URL: | http://www.zas.gwz-berlin.de/192.html |
ISSN: | 1435-9588 |
ISSN: | 0947-7055 |
Parent Title (English): | Papers in phonetics and phonology / editors Susanne Fuchs and Silke Hamann, Zentrum für Allgemeine Sprachwissenschaft, Sprachtypologie und Universalienforschung, Berlin, 2004; ZAS papers in linguistics Vol. 37 |
Publisher: | Zentrum für Allgemeine Sprachwissenschaft, Sprachtypologie und Universalienforschung |
Place of publication: | Berlin |
Document Type: | Part of a Book |
Language: | English |
Date of Publication (online): | 2013/11/14 |
Year of first Publication: | 2004 |
Publishing Institution: | Universitätsbibliothek Johann Christian Senckenberg |
Release Date: | 2013/11/14 |
GND Keyword: | Sonant; Gleitlaut; Phonologie; Silbe; Markiertheit; Optimalitätstheorie; Englisch |
Volume: | 37 |
Page Number: | 36 |
First Page: | 1 |
Last Page: | 36 |
HeBIS-PPN: | 381257797 |
Sammlungen: | Linguistik |
Linguistik-Klassifikation: | Linguistik-Klassifikation: Phonetik/Phonologie / Phonetics/Phonology |
Zeitschriften / Jahresberichte: | ZAS papers in linguistics : ZASPiL / ZASPiL 37 = Papers in Phonetics and Phonology |
: | urn:nbn:de:hebis:30:3-306799 |
Licence (German): | Deutsches Urheberrecht |