Excluído da Áustria "católico-nacionalsocialista" : sobre a autobiografia de Thomas Bernhard
- In his first autobiographical writing, the Austrian author Thomas Bernhard attempts to show his public the reason why he became the provocative writer and outsider that he was. This paper intends to analyse how this image is constructed in the book by using a specific concept of victim as well as a provocative and subjective style. On the one hand he is successful in constructing a text in which his point of view and his personality are constantly present; on the other hand it includes diverse contradictions, which will be discussed throughout this article.
Author: | Patricia Miranda Dávalos |
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URN: | urn:nbn:de:hebis:30:3-250431 |
URL: | http://seer.ufrgs.br/contingentia/article/view/3873 |
ISSN: | 1980-7589 |
Parent Title (German): | Contingentia : Zeitschrift der Deutschen Abteilung in Zusammenarbeit mit der Post-Graduierung im Bereich Literatur- und Sprachwissenschaft der Bundesuniversität Porto Alegre (UFRGS) |
Publisher: | Universidade Federal do Rio Grande do Sul, Instituto de Letras |
Place of publication: | Porto Alegre |
Document Type: | Article |
Language: | Portuguese |
Year of first Publication: | 2008 |
Publishing Institution: | Universitätsbibliothek Johann Christian Senckenberg |
Release Date: | 2012/06/26 |
GND Keyword: | Bernhard, Thomas / Die Ursache; Autobiographie; Österreich |
Volume: | 3 |
Issue: | 1 |
Page Number: | 10 |
First Page: | 16 |
Last Page: | 25 |
HeBIS-PPN: | 357404424 |
Dewey Decimal Classification: | 8 Literatur / 83 Deutsche und verwandte Literaturen / 830 Literaturen germanischer Sprachen; Deutsche Literatur |
Sammlungen: | Germanistik / GiNDok |
BDSL-Klassifikation: | 18.00.00 20. Jahrhundert (1945-1989) / BDSL-Klassifikation: 18.00.00 20. Jahrhundert (1945-1989) > 18.14.00 Zu einzelnen Autoren |
Zeitschriften / Jahresberichte: | Contingentia / Contingentia : Vol. 3, 2008 / Contingentia : Vol. 3 No. 1, 2008 |
: | urn:nbn:de:hebis:30:3-257908 |
Licence (German): | Deutsches Urheberrecht |