L’immagine-tempo da Warburg a Benjamin e Adorno

  • Starting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible structure of the image. It’s what we find both in Benjamin and in Adorno: in both cases, it is just because the image is marked by a “internal time” that it is able to have a critical function towards reality, and at the same time an utopian character that is all the same with its non-renounceable testimonial task.

Download full text files

Export metadata

Additional Services

Share in Twitter Search Google Scholar
Metadaten
Author:Giuseppe Di Giacomo
URN:urn:nbn:de:hebis:30:3-568104
URL:https://oajournals.fupress.net/index.php/aisthesis/article/view/518
ISSN:2035-8466
Parent Title (German):Aisthesis
Publisher:Università degli studi di Firenze, Seminario Permanente di Estetica
Place of publication:Firenze
Document Type:Article
Language:Italian
Date of Publication (online):2012/05/15
Year of first Publication:2010
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2020/11/10
Tag:Benjamin; Image; Warburg
Volume:2
Issue:2
Page Number:8
First Page:73
Last Page:80
HeBIS-PPN:473584468
Institutes:Gesellschaftswissenschaften / Gesellschaftswissenschaften
Philosophie und Geschichtswissenschaften / Philosophie
Angeschlossene und kooperierende Institutionen / Institut für Sozialforschung (IFS)
Dewey Decimal Classification:1 Philosophie und Psychologie / 10 Philosophie / 100 Philosophie und Psychologie
3 Sozialwissenschaften / 30 Sozialwissenschaften, Soziologie / 300 Sozialwissenschaften
Sammlungen:Universitätspublikationen
Licence (German):License LogoCreative Commons - Namensnennung 4.0