The symphonies of Antonio Brioschi : aspects of sonata form

  • The article investigates tonal, thematic, and textural aspects of sonata form in the movement structures of twenty-six symphonies from the 1730s and early-1740s by the Italian composer Antonio Brioschi (active ca. 1725–ca. 1750). It discusses expository events as well as aspects of development and recapitulation of the musical material. In addition, the article provides an account of the major eighteenth-century manuscript source of the works—a French collection known as Fonds Blancheton—and considers some general stylistic characteristics of the music.

Download full text files

Export metadata

Additional Services

Share in Twitter Search Google Scholar
Metadaten
Author:Sarah Mandel-Yehuda
URN:urn:nbn:de:hebis:30-1118994
URL:http://www.biu.ac.il/hu/mu/min-ad/
Parent Title (German):Min-Ad: Israel Studies in Musicology Online
Document Type:Article
Language:English
Date of Publication (online):2009/01/14
Year of first Publication:1999
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2009/01/14
Tag:Analysis; Antonio Brioschi; Eighteenth-century music; Fonds Blancheton; Form; Sonata form; Symphony
Volume:1999
Source:Min-Ad: Israel Studies in Musicology Online, Vol. 1999 ; http://www.biu.ac.il/hu/mu/min-ad/
HeBIS-PPN:223866768
Dewey Decimal Classification:7 Künste und Unterhaltung / 78 Musik / 780 Musik
Sammlungen:Sammlung Musik, Theater, Film / Literatur zur Musik
Licence (German):License LogoDeutsches Urheberrecht