Linguistik, Poetik, Ästhetik

  • The paper briefly summarizes the proposal made in 1965 that "Poetic Competence" is the basis for creating and evaluating poetry. That this competence lives on, but is different from linguistic competence is exemplified by a close look at the segmental and supra-segmental, morpho-syntactic, lexical, and conceptual structure of Hölderlin's poem "An Zimmern", revealing a surprisingly complex and balanced structure of the apparently simple four lines. The second part of the paper discusses the question whether judgments about poetry are to be studied as based on the relation between specific properties of poems and persons. Finally the problem is raised, whether literary art is based on a specific Poetic Competence, or instantiates a general aesthetic ability applied to linguistic objects. This is construed as a speculative, but still empirical question.

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Metadaten
Author:Manfred Bierwisch
URN:urn:nbn:de:hebis:30-1134036
URL:http://www.zas.gwz-berlin.de/fileadmin/mitarbeiter/bierwisch/13_Bierwisch_2008_Grenzen_Sprache.pdf
Document Type:Article
Language:German
Year of Completion:2008
Year of first Publication:2008
Publishing Institution:Universitätsbibliothek Johann Christian Senckenberg
Release Date:2009/10/13
GND Keyword:Ästhetik; Poetik
Page Number:20
Note:
Postprint, zuerst in: Zeitschrift für Literaturwissenschaft und Linguistik 38.2008, S. 33-55
Source:http://www.zas.gwz-berlin.de/fileadmin/mitarbeiter/bierwisch/13_Bierwisch_2008_Grenzen_Sprache.pdf; In: Zeitschrift für Literaturwissenschaft und Linguistik, 38, 2008, S. 33-55
HeBIS-PPN:219395195
Dewey Decimal Classification:4 Sprache / 40 Sprache / 400 Sprache
Sammlungen:Linguistik
Linguistik-Klassifikation:Linguistik-Klassifikation: Textlinguistik/Schriftsprache / Text linguistics
Licence (German):License LogoDeutsches Urheberrecht