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Blot On The Landscape
(2015)
Verses From My Roost
(2016)
'...this collection is both poetry and a reflection on poetry, on the creative process. In deceptively minimalist style characteristic of seasoned bards and a diction charged with intricate conceits, John Ngong Kum Ngong launches a scathing onslaught on the ruling barons of post-colonial nations who have privatised the nations' wealth and power.' Dr. Gilbert Ndi Shang, Bayreuth University, Germany
Season of Shadows
(2018)
In this wide-ranging collection of forty-three poems, John Ngong Kum Ngong undertakes a critical and acerbic diagnosis of the socio-political situation in postcolonial Africa through a deceptively simple, aesthetically complex, and ideologically intriguing style. The multi-facetted and interrelated motifs of shadows and seasons, together with a plethora of literary devices such as paradox, suspense, metaphors, allusions, personification, irony, satire, humour, and contrast, are the weapons through which the poet drives home his message. The poems, in this collection, are not only politically correct but are also artistically profound. - Zuhmboshi Eric Nsuh, PhD. Lecturer, Literary Critic, and Political Analyst
Tears of the Earth
(2018)
The Tears of the Earth, without pretense, practically holds court for environmental or eco-concerns with global ripples, staking a legitimate claim as a landmark tributary to the mainstream discourse and current debates on global warming and climate change, especially by portraying Africa, still trapped and anaesthetized in the web of post-colonial vassalage, compelled to mortgage her natural resources for savage exploitation with little or no regard to either environmental impact or sustainability. The poems are an expression of the authors noble indignation at societys governing elite for allowing collective natural resources Mother Earth to be callously butchered, so ingloriously ransacked, liberally poisoned and gagged Beyond Recognition for mere lucre or Midas touch which procures and sustains the infernal binary of Power and Pride deified by our societies.
Strange Passion
(2010)
In Strange Passions John Ngong Kum Ngong's vocation and prime obsession remain constant - the soul of the nation. Passion, the central symbol in this collection is the patriotic sentiment in its various manifestations. As a self-conscious artist, Ngong summons his audacious technical dexterity to sublimate the sauciness characteristic of his style and direct it towards ideological ends. The significance of his contribution is as much in the urgency, originality and authenticity of his message as in the full range and complexity of his style, and the depth and density of his thoughts.
Snatched from the Grave
(2010)
