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Studies of Yoruba culture and performance tend to focus mainly on standardised forms of performance, and ignore the more prevalent performance culture which is central to everyday life. What the Forest Told Me conveys the elastic nature of African cultural expression through narratives of the Yoruba hunters' exploits. Hunters' narratives provide a window on the Yoruba understanding and explanation of their world; a cosmology that negates the anthropocentric view of creation. In a very literal sense, man, in this peculiar world, is an equal actor with animal and nature spirits with whom he constantly contests and negotiates space.
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the dream of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to dream Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvres city-countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibias first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.
The thirty-nine stories in Asleep Awake Asleep can be read as a hand-drawn narrative map, charting the course of a country's turbulent history. Together they tell a coming of age and a coming to consciousness story, as Rip - child, adult, journalist, partner, mother - revisits milestones marked and signposts ignored or unseen. Set in the suburbs and newsrooms of South African towns and cities and their wilder surrounds, there are vignettes of relationships; tales of political assassinations, murder and betrayal, and questions asked about complicity and reparation.
Boxing is no Cakewalk! : Azumah 'Ring Professor' Nelson in the Social History of Ghanaian Boxing
(2019)
Boxing is no cakewalk! Azumah Ring Professor Nelson in the Social History of Ghanaian Boxing explores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghanas most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence peoples lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to enlightened human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The books analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghanas historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.
Urbanization in Africa also means rapid technological change. At the turn of the 21st century, mobile telephony appeared in urban Africa. Ten years later, it covered large parts of rural Africa and thanks to the smartphone became the main access to the internet. This development is part of technological transformations in digitalization that are supposed to bridge the urban and the rural and will make their borders blurred. They do so through the creation of economic opportunities, the flow of information and by influencing peoples definition of self, belonging and citizenship. These changes are met with huge optimism and the message of Information and Communications Technologies for Development (ICT4D) for Africa has been one of glory and revolution. Practice, however, reveals other sides. Increasingly, academic publications show that we are facing a new form of digital divide in which Africa is (again) at the margins. These technological transformations influence the relation between urban and rural Africa, and between Africa and the World, and hence the field of African Studies both in its objects as well as in its forms of knowledge production and in the formulation of the problems we should study. In this lecture, Mirjam de Bruijn reflects on two decades of research experience in West and Central Africa and discusses how, for her, the field has changed. The author was forced to decolonize her thinking even further, and to enter into co-creation in knowledge production. How can these lessons be translated into a form of critical knowledge production and how does the study of technological change inform the redefinition of African Studies for the 21st century?
Très peu de personnes auront eu à traverser des temps aussi troublés que ceux que vécut Agathe Uwilingiyimana comme Premier ministre du Rwanda avant le génocide. Au sujet de cette femme de tête, ses idées et son action, bien des questions demeurent sans réponse. Qui la assassinée et pourquoi ? Aurait-elle tenté un putsch contre le Président Habyarimana ? Aurait-elle trempé dans le complot visant à assassiner ce dernier ? Comment entendait-elle sauver le pays du chaos et de la descente aux enfers après la disparition inopinée du Président de la République quelle avait si âprement combattu ? Était-elle maîtresse de ses décisions ou était-elle désinformée ou manipulée ? Pourquoi et comment cette enseignante récemment embarquée en politique a-t-elle été la cible privilégiée de la presse de caniveau, entre 1992 et 1994 ? Quel comportement exceptionnel a-t-elle eu pour que la patrie reconnaissante lélève au rang des héros dans lordre dImena ? Son royaume denfance, son adolescence et sa jeunesse préfiguraient-ils un destin si singulier ? À travers lectures, souvenirs, témoignages et anecdotes, son ami denfance nous offre un récit édifiant, court mais dense, qui nous fait découvrir la vie et la personnalité complexe et polymorphe de cette flamme éphémère dans la nuit rwandaise.
It is 1979. The first Commonwealth Heads of Government Summit on African soil is due to take place in Zambia, graced by Queen Elizabeth herself. Barely a week before this much anticipated event, a white British couple, Henry and Laura Hinckley, are brutally killed on their farm on the outskirts of the capital city, Lusaka. The unknown perpetrators are at large, their motive unclear. Fearing a media backlash, the British government applies pressure on the Zambian authorities to bring the culprits to book, threatening to cancel the Queen's trip altogether - a move that would result in huge embarrassment for the Zambian government. Detective Maxwell Chanda, head of the Special Crimes Investigative Unit, is the man tasked with leading the investigation. He is a wise, steady hand, but will he be able to piece together the seemingly disparate evidence in just five days? Will he be able to hold firm under the intense political pressure which insists on putting expediency above accuracy? Five Nights Before the Summit offers a rich tapestry of context and character in a story that engages the reader in the pursuit of justice.
Humanity has extensively exploited natural and physical resources, since the Industrial Revolution in Europe. A geological era, now called the Anthropocene, has been coined in environmental and developmental circles, to mark the increased domination of humanity on Earth and its resources. Today, the ecological footprint on the fragile planet continues to increase. Mass industrialisation, like what China is doing and pushing for, is one of the drivers for increased urbanisation that results in increased demand for land. It is also the stimulus behind increased deforestation, overfishing, and pollution. As the fragility of the Earth increases, global bodies like the Intergovernmental Panel on Climate Change are pushing to reduce the Earths temperature. Human efforts to manage the problem cascade from a global to a regional, to a national, as well as to much localised scales. Missing though are nuanced contributions at national and community levels, which this book is an attempt to bridge. The nagging sense of responsibility is what this book explores under the label of sustainability ethic. As a case study, the book examines the use of sustainability ethic in the management of the physical, infrastructural and natural resources of Zimbabwe. This ethic is built on pillars that include participation of people (households) in their pursuit for sustainable livelihoods, appropriate technology, tools and techniques for environmental protection. It also hinges on stewardship and structures, institutions, policies and processes of governance and sustainability. There are also the aspects of ethics, laws and indigenous technical knowledge for sustainability, capacity building and education plans and programmes for sustainability and population and demographic determinants, processes and outcomes for sustainability. The book is a timely contribution to an urgent global concern and climate change debate.