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This study investigates supralaryngeal mechanisms of the two way voicing contrast among German velar stops and the three way contrast among Korean velar stops, both in intervocalic position. Articulatory data won via electromagnetic articulography of three Korean speakers and acoustic recordings of three Korean and three German speakers are analysed. It was found that in both languages the voicing contrast is created by more than one mechanism. However, one can say that for Korean velar stops in intervocalic position stop closure duration is the most important parameter. For German it is closure voicing. The results support the phonological description proposed by Kohler (1984).
This study investigates supralaryngeal mechanisms of the two way voicing contrast among German velar stops and the three way contrast among Korean velar stops, both in intervocalic position. Articulatory data won via electromagnetic articulography of three Korean speakers and acoustic recordings of three Korean and three German speakers are analysed. It was found that in both languages the voicing contrast is created by more than one mechanism. However, one can say that for Korean velar stops in intervocalic position stop closure duration is the most important parameter. For German it is closure voicing. The results support the phonological description proposed by Kohler (1984).
Mechanisms of contrasting korean velar stops : A catalogue of acoustic and articulatory parameters
(2003)
The Korean stop system exhibits a three-way distinction in velar stops among /g/, /k'/ and /kh/. If the differentiation is regarded as being based on voicing, such a system is rather unusual because even a two-way distinction between a voiced and a voicless unaspirated velar stop gets easily lost in the languages of the world especially in the case of velar stops. One possibility for maintainig this distinction is that supralaryngeal characteristics like articulators' velocity, duration of surrounding vowels or stop closure duration are involved. The aim of the present study is to set up a catalogue of parameters which are involved in the distinction of Korean velar stops in intervocalic position.
Two Korean speakers have been recorded via Electromagnetic Articulography. The word material consisted of VCV-sequences where V is one of the three vowels /a/, /i/ or /u/ and C one of the Korean velars /g/, /k'/ or /kh/. Articulatory and acoustic signals have been analysed It turned out that the distinction is only partly built on laryngeal parameters and that supralaryngeal characteristics differ for the three stops. Another result is that the voicing contrast is not a matter of one parameter, but there is always a set of parameters involved. Furthermore, speakers seem to have a certain freedom in the choice of these parameters.
In this study, cross-dialectal variation in the use of the acoustic cues of VOT and F0 to mark the laryngeal contrast in Korean stops is examined with Chonnam Korean and Seoul Korean. Prior experimental results (Han & Weitzman, 1970; Hardcastle, 1973; Jun, 1993 &1998; Kim, C., 1965) show that pitch values in the vowel onset following the target stop consonants play a supplementary role to VOT in designating the three contrastive laryngeal categories. F0 contours are determined in part by the intonational system of a language, which raises the question of how the intonational system interacts with phonological contrasts. Intonational difference might be linked to dissimilar patterns in using the complementary acoustic cues of VOT and F0. This hypothesis is tested with 6 Korean speakers, three Seoul Korean and three Chonnam Korean speakers. The results show that Chonnam Korean involves more 3-way VOT and a 2-way distinction in F0 distribution in comparison to Seoul Korean that shows more 3-way F0 distribution and a 2-way VOT distinction. The two acoustic cues are complementary in that one cue is rather faithful in marking 3-way contrast, while the other cue marks the contrast less distinctively. It also seems that these variations are not completely arbitrary, but linked to the phonological characteristics in dialects. Chonnam Korean, in which the initial tonal realization in the accentual phrase is expected to be more salient, tends to minimize the F0 perturbation effect from the preceding consonants by taking more overlaps in F0 distribution. And a 3-way distribution of VOT in Chonnam Korean, as compensation, can be also understood as a durational sensitivity. Without these characteristics, Seoul Korean shows relatively more overlapping distribution in VOT and more 3-way separation in F0 distribution.
In this article, I will present a survey of control structures in Korean. The survey is based on a sample of seventy SOA-argument-taking predicates, which are classified with respect to their complementation patterns and control properties. As a result, Korean is characterized as a language in which semantically determined control is predominant, whereas constructionally induced control is only marginal. In the discussion of the sample, I will show that there are two major classes of verbs exhibiting semantic control: the first class consists of matrix verbs such as hwuhoyhata 'regret' or kangyohata 'force', which require obligatory coreference between a matrix argument and the embedded subject due to their lexical meaning. The verbs of the second class are utterance verbs such as malhata 'tell', which select clauses headed by the quotative complementizer ko. With these verbs, subject, object, or split control arises if specific modal suffixes are attached to the verb heading the complement clause. In the second part of the paper, I will provide a lexical analysis of control in Korean, which adopts the Principle of Controller Choice proposed by Farkas (1988) as well as additional constraints which have to be assumed independently.
Tree-local MCTAG with shared nodes : an analysis of word order variation in German and Korean
(2004)
Tree Adjoining Grammars (TAG) are known not to be powerful enough to deal with scrambling in free word order languages. The TAG-variants proposed so far in order to account for scrambling are not entirely satisfying. Therefore, an alternative extension of TAG is introduced based on the notion of node sharing. Considering data from German and Korean, it is shown that this TAG-extension can adequately analyse scrambling data, also in combination with extraposition and topicalization.
In this paper topic and focus effects at both left and right periphery are argued to be epiphenomena of general properties of tree growth. We incorporate Korean into this account as a prototypical verb-final language, and show how long- and short-distance scrambling form part of this general picture. Multiple long-distance scrambling effects emerge as a consequence of the feeding relationship between different forms of structural under-specification. We also show how the array of effects at the right periphery, in both verb-final and other language-types, can also be explained with the same concepts of tree growth. In particular the Right Roof Constraint, a well-known but little understood constraint, is an immediate consequence of compositionality constraints as articulated in this system.
S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabulary into virtually the same classes as those arrived at by comparing the accent distinctions found in the modern dialects. This means that the Old Kyoto dialect had a pitch system similar to that of proto-Japanese. The standard language of the Heian period may not actually be the ancestor of all the dialects of Japan, but at least as far as the accent system is concerned, it is close enough to the proto system to be used as a working model. The significance of this fact is important: It means that each of the dialects included in the comparison has as much to tell, at least potentially, as any other dialect about Old Kyoto accent."
Die koreanische Autorin Bae Sua, die sowohl als Übersetzerin aus dem Deutschen wie als Erzählerin immer wieder die Auseinandersetzung mit deutscher Kultur und Literatur sucht, ließe sich mit Uljana Wolf, Yoko Tawada oder Tomer Gardi einer Literatur der Multilingualität zuordnen, die sich der deutschen Sprache in bewusster Befremdung nähert, in ihren Schreibverfahren mit Mehrsprachigkeit experimentiert, die Möglichkeiten einer "polyglot hybridity and pan-cultural allusiveness" auslotet. Zurecht stellt die Germanistin Ahn Mi-Hyun fest, dass sich Bae immer wieder mit der verfremdenden Wirkung beschäftigt, die unbekannte und ungewohnte Fremdsprachen auf die Wahrnehmung des vermeintlich Vertrauten haben, dass sie das Koreanische durch ungewöhnliche Wendungen und grammatische Formen bereichere, die zum Teil wie formale Übernahmen aus dem Deutschen erscheinen, und dass das Aufsuchen des Fremden, das Leben in fremden Räumen, das Lernen fremder Sprachen ein mit großer Konsequenz verfolgtes Thema ihres Schreiben ist, ja, in einem ihrer Texte schlägt Bae sogar vor, sich in der eigenen Sprache wie in einer fremden zu bewegen, als würde man sie nur schlecht verstehen. Immer wieder wird in ihrem Werk auch auf deutsche Literatur Bezug genommen, werden Textpassagen, mitunter auch ganze Gedichte in koreanischer Übersetzung zitiert, treten mit Kafka oder auch mit Jakob Hein deutsche Autoren, bzw. deren Bücher in Nebenrollen auf. Aber anders als die genannten Autor*innen ist die polyglotte Autorin Bae Suah, die sich durchaus einer "planetaren" - also ihrer globalen Vernetztheit bewussten "Poetik" - im Sinne Pizers zuordnen lässt, in ihren Texten nicht mehrsprachig. Ein merkwürdiges Paradox: eine Autorin, die über das Leben zwischen den Sprachen schreibt, sich in mehreren Sprachen bewegt, darüber reflektiert, aber sich dann doch nicht der Strömung "literarischer Mehrsprachigkeit" zuordnen lässt, die in den letzten Jahren vermehrt ins Feld der Aufmerksamkeit der interkulturellen Germanistik gerät. Es sei denn, es gäbe so etwas wie eine einsprachige Mehrsprachigkeit.
In this paper, I examine two object control constructions in Korean which differ only in the surface word order: in one of the constructions, the control complement follows the controller, but in the other, precedes it. I argue that the contrast between these constructions cannot be attributed to scrambling. The difference between these constructions can only be captured if one of them is analyzed as OC, and the other as instantiating NOC. Section 2 presents the relevant constructions and their earlier analyses available in the literature; section 3 presents a detailed discussion of differences between the two object control constructions. My proposal for analyzing these constructions is presented in section 4. Section 5 introduces two outstanding questions related to the proposed structures: the status of scrambling in Korean and the analysis of the inverse control construction. Conclusions and general discussion follow in section 6.