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To many psychoanalysts dreams are a central source of knowledge of the unconscious-the specific research object of psychoanalysis. The dialog with the neurosciences, devoted to the testing of hypotheses on human behavior and neurophysiology with objective methods, has added to psychoanalytic conceptualizations on emotion, memory, sleep and dreams, conflict and trauma. To psychoanalysts as well as neuroscientists, the neurological basis of psychic functioning, particularly concerning trauma, is of special interest. In this article, an attempt is made to bridge the gap between psychoanalytic findings and neuroscientific findings on trauma. We then attempt to merge both approaches in one experimental study devoted to the investigation of the neurophysiological changes (fMRI) associated with psychoanalytic treatment in chronically depressed patients. We also report on an attempt to quantify psychoanalysis-induced transformation in the manifest content of dreams. To do so, we used two independent methods. First, dreams reported during the cure of chronic depressed analysands were assessed by the treating psychoanalyst. Second, dreams reported in an experimental context were analyzed by an independent evaluator using a standardized method to quantify changes in dream content (Moser method). Single cases are presented. Preliminary results suggest that psychoanalysis-induced transformation can be assessed in an objective way.
his articles discusses and contextualises tripleC's republication of Franz L. Neumann's essay Anxiety and Politics. It provides some background information on Neumann's life and works. The essay ascertains that in the age of new nationalisms, rising right-wing authoritarianism and authoritarian capitalism, Franz L Neumann's works can help us to critically understand contemporary society.
Der Aufsatz sieht in Freuds Begriff des Unheimlichen einen Schlüssel zu seiner Poetik. Den Ausgangspunkt der Untersuchung bietet allerdings nicht seine bekannte Interpretation des Textes von E.T.A. Hoffmann, sondern die narrativen Elemente des Textes, in denen er auf indirekte Weise Aufschluss über seinen Begriff der Psychoanalyse gibt. Als Theorie und Praxis der Dichtung ist Freuds Aufsatz über Das Unheimliche nicht nur eine Theorie ein wichtiger Bestandteil seiner Poetik.
Nowadays, the Bukovinian writer and psychiatrist Robert Flinker is a familiar name only to those interested in the German literature of Bukovina. His literary legacy, which consists of poems, stories and two novels, was published more than twenty years after his death. This paper intends to analyze Flinker’s novels, Der Sturz [The Downfall] and Fegefeuer [Purgatory], from a psychiatric and psychoanalytical perspective. As a psychiatrist in the first half of the 20th century, Flinker was familiar with the benefits of psychoanalysis in treating patients. This raises the question of whether thewriter Robert Flinker was influenced by the new psychoanalytical discoveries and, if so, which theories he used in his novels. Moreover, it must be taken into consideration that Flinker, who had Jewish origins, wrote his novels during the Second World War. In this regard, the socio-cultural context had an impact on Flinker’s literary work.
Erich Fromm foi um psicanalista que participou da formação da Escola de Frankfurt com o projeto de unir o materialismo histórico de Marx à psicanálise de Freud. Dentre os conceitos abordados por ele, o da liberdade é um dos fundamentais, ao postular a diferença entre a “liberdade de” e a “liberdade para”, sendo a primeira a liberdade existente na sociedade capitalista, uma pseudo-liberdade, e a segunda seria a realização da liberdade no sentido positivo. Contudo, devido ao seu humanismo abstrato e não perceber o papel da luta de classes no sentido da superação do capitalismo, elabora uma crítica contundente dessa sociedade, que, no entanto, se torna limitada.
O presente artigo analisa o conceito de esclarecimento em Horkheimer, Adorno e Freud. Para tanto, traça um paralelo entre duas das mais representativas obras destes autores no âmbito da crítica cultural. Trata-se, respectivamente, dos textos O Conceito de Esclarecimento e O Futuro de uma Ilusão. Embora uma primeira leitura dos trabalhos citados possa sugerir diferentes perspectivas teóricas, aposta-se aqui na sua complementaridade em defesa de uma utilização mais adequada do pensamento conceitual.