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A checklist of the Scarabaeoidea (except Passalidae) of the Guianas (Guyana, Suriname and French Guiana) is presented for the first time. Both recorded and potential species are included, the latter defined as being recorded from Brazil north of the Amazon/Rio Negro main channel or from Venezuela east of the Orinoco main channel. The checklist contains a total of 930 species and subspecies, with 265 validly recorded from Guyana (eight new country records), 388 from Suriname (146 new country records), 531 from French Guiana (four new country records) and 177 additional species recorded from contiguous areas of neighboring Brazil and Venezuela. Valid names as well as selected synonyms are provided. Multiple notes on presently recognized subspecies, nomenclatural problems, doubtful type localities, historical misidentifications, etc. are included. An extensive reference list is provided.
This article is an inquiry into the concept of metaphysical experience through a joint discussion of two authors and philosophers with different approaches that nevertheless converge in the reclamation of the concept and rely both on the experience of death as an example. In both cases, the authors are guided by the central problem of how not to relinquish metaphysical experience to unscrutinized immediacy or a powerful conversion which enjoins subjection, putting it in contact with aesthetics and ethics at once. Theodor Adorno situates metaphysical experience as a problem of philosophy of history and devotes attention to the contemporary possibility of experiences that evoke transcendence. The transformations he identifies in the concept also lead him to propose art as a domain where metaphysical experience is alive. The implicit personal investment Adorno makes is much more clear in Lacoue-Labarthe who, in a dialogue with Maurice Blanchot, shows the experience as deeply bound up with literature and its links to subjectivity. The article argues that the main difference between the two approaches is modal and temporal from the side of the object, aside from the different modes of interrogation recognized with the labels deconstruction and critical theory.
Der Aufsatz sieht in Freuds Begriff des Unheimlichen einen Schlüssel zu seiner Poetik. Den Ausgangspunkt der Untersuchung bietet allerdings nicht seine bekannte Interpretation des Textes von E.T.A. Hoffmann, sondern die narrativen Elemente des Textes, in denen er auf indirekte Weise Aufschluss über seinen Begriff der Psychoanalyse gibt. Als Theorie und Praxis der Dichtung ist Freuds Aufsatz über Das Unheimliche nicht nur eine Theorie ein wichtiger Bestandteil seiner Poetik.