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The Last Hope
(2011)
This play was written as part of an evaluation of Africa's oldest and most diverse rainforest conservation initiative in the Korup area, with the aim of highlighting and sharing some lessons learnt from the creation of the Korup National Park, through a period of full activity, to when activities were considerably reduced. It is a fine blend of the results of the evaluation and some carefully developed fictional, artistic materials for the achievement of an overall dramatic effect. Ekpe Inyang gives an informed artistic touch to achieve dramatic effects, succinctly relating the story of Cameroon's first rainforest national park, Korup.
How can a black people, who do not even profess to Islam, claim to have originated from Egypt, which is such an Arabic and Islamic geographical setting? But the Kalenjiin people of Kenya have held on fast to a tradition that their ancestors in antiquity were part of ancient Pharaonic Egypt, which they variously call Tto and Misiri. As unlikely as it may sound, the persistence in keeping this oral tradition alive does not seem to be dying with time and distance from the claimed place of origin. The Misiri Legend Explored: A Linguistic Inquiry into the Kalenjiin People's Oral Tradition of Ancient Egyptian Origin establishes the Kalenjin oral tradition of Misirian origin on the basis of linguistic evidence - a genuine tool which Egyptology scholars and researchers need to have relied on much more to bring greater and more final results to their investigations. Students of ancient Egypt willing to accept that there is an irrational prejudice against the concept of ancient black African ingenuity will upgrade their stock of knowledge regarding ancient Egypt with the numerous discoveries laid out here. They will discover a powerful new tool for their trade in the form of the African languages and cultures that now lie South of the Sahara.
Neoliberalism has become the dominant development agenda in Africa. Faced with a deep economic and political crisis, African governments have been compelled by powerful external agencies, in particular the Bretton Woods institutions and western states, to pursue this agenda as a necessary precondition for the receipt of development aid. What is particularly striking in Africa, however, is that neoliberal experiments there have displayed such remarkable diversity. This may be due not only to substantial differences in historical, economic and political trajectories on the African continent but also, and maybe more importantly, in the degree of resistance internal actors have demonstrated to the neoliberal reforms imposed on them. This book focuses on Cameroon which has had a complex economic and political history and is currently witnessing resistance to the neoliberal experiment by the authoritarian and neopatrimonial state elite and various civil-society groups. It is the culmination of over twenty years of fine and refined research by one of the leading scholars of Cameroon today.
This innovative book is a forward-looking reflection on mental decolonisation and the postcolonial turn in Africanist scholarship. As a whole, it provides five decennia-long lucid and empathetic research involvements by seasoned scholars who came to live, in local peoples own ways, significant daily events experienced by communities, professional networks and local experts in various African contexts. The book covers materials drawn from Botswana, Cameroon, the Democratic Republic of Congo, Mozambique, Nigeria, South Africa and Tanzania. Themes include the Whelan Research Academy, rap musicians, political leaders, wise men and women, healers, Sacred Spirit churches, diviners, bards and weavers who are deemed proficient in the classical African geometrical knowledge. As a tribute to late Archie Mafeje who showed real commitment to decolonise social sciences from western-centred modernist development theories, commentators of his work pinpoint how these theories sought to dismiss the active role played by African people in their quest for self-emancipation. One of the central questions addressed by the book concerns the role of an anthropologist and this issue is debated against the background of the academic lecture delivered by René Devisch when receiving an honorary doctoral degree at the University of Kinshasa. The lecture triggered critical but constructive comments from such seasoned experts as Valentin Mudimbe and Wim van Binsbergen. They excoriate anthropological knowledge on account that the anthropologist, notwithstanding her social and cognitive empathy and intense communication with the host community, too often fails to also question her own world and intellectual habitus from the standpoint of her hosts. Leading anthropologists carry further into great depth the bifocal anthropological endeavour focussing on local peoples re-imagining and re-connecting the local and global. The book is of interest to a wide readership in the humanities, social sciences, philosophy and the history of the African continent and its relation with the North.
The Power To Make A Choice
(2011)
Is it possible to make a difference in your life that no one else has ever made? What difference will you make as an individual in your life's situations? Have you ever considered yourself a possible obstacle to your future plans? Some people toil and amass knowledge and fame to make a difference. Some engage in a life of politics where they believe they can make a difference. Still, there are some who make a difference in a quiet way and move the world on. The difference you make may lead to negative or positive results and both ways have a price. It is worth exploring the powers you have and discovering the real you. Life is full of surprises. Life around you might be ignorant but you have the potential to move to a better understanding. This story portrays and affirms the uniqueness of each person: how one moves on in life amidst all the difficulties that life presents. Life is beautiful if we are able to challenge what we can and accept what we cannot change. The Power to Make a Choice is a powerful story on how to look within ourselves to make a difference.
The Power to Succeed
(2011)
This is the fascinating story of a young girl from a very poor family who raised her head high and raised the dignity of women through her own personal and determined effort. She did not yield to the victimizations of corrupt minds, nor to the temptations of apathy and pessimistic thinking; rather she saw everything optimistically and through many hardships achieved her life's ambitions.
There is a general agreement that piracy; counterfeiting and passing off are unfair. However, there is often surreptitious - or even open - sympathy for, say, those who purchase counterfeit designer fashions or the latest technical gadgets. The pirate is even sometimes represented as a daring evil hero. In this book, Prof. Dora Nkem Akunyili, Director General of Nigeria's National Agency for Food and Drug Administration and Control, presents a unique study of a global phenomenon in which law-breaking and profiteering prevail at the cost of human health and life - and of the ways in which this can be fought by appropriate legislation, regulation and enforcement.
The Weeping Triangle
(2011)
The Weeping Triangle portrays a country that has been overtaken by corruption. This country had been awarded the most corrupt country in the world two times in a row and a third time is increasingly likely. In a world where money talks and violence is a way of life, most people succumb to the way things are lest they become victims of the system. Smith, however, is one of a kind. As a teacher entrusted with the lives of his students, Smith sees the need to curb the current direction of his country. Frustrated with the way things are, curious as to how things got so bad and motivated to make a change for the better, he stands out among the rest determined to make a difference no matter how small. Branded a fool for his bravery and incessant inquisitiveness, Smith stands up to those in authority; most of whom are bound by corruption. He refuses to partake in this illegal way of life. Encouraging his friends and anyone else to do the same proves difficult but does not deter his intentions. What hope does one have in a country full of lies, secrets, deceptions and bribery? The Weeping Triangle takes you through the journey of Smith and his friends making the most of what little hope there is.
UNICEF estimates that Tanzania has over three million orphans. The Bethsaida Orphan Girls Secondary School seeks to help the ?most vulnerable of Tanzania?s children. Founded by Mrs. Anna Machary in 2005 under the auspices of the non-governmental organization, the Olof Palme Orphans Education Center, the school currently enrolls over 130 orphan girls from all over the country, providing them with free housing, meals, psychological support and a quality secondary education. This book features short stories by thirteen students and has the dual purpose of being a fundraiser for the school and giving the girls a voice. It is a unique and enthralling work of fiction, Their Voices: Their Stories ranges from magical realism to fable, from historical fiction to bildungsroman. Under the professional and passionate editorial guidance of Maryland professor Julie Wakeman-Linn, this collection sings of the fears, anxieties and dreams of young Tanzanian women, who pray their education will be the golden ticket out of lives filled with poverty and abuse.
Kerry Hammerton is a poet, writer and alternative health practitioner. She is a graduate of The University of the Witwatersrand (Johannesburg) and The College of Integrated Chinese Medicine (Reading, UK). Her poetry has been published in South African literary journals such as Carapace, New Contrast and New Coin, online at Litnet and Incwadi. She has also been a contributor to The Empty Tin Readings (May 2010) and The Poetry Project. These are the lies I told you is her fi rst poetry collection. Kerry has fewer wrinkles than she should have at her age - or so her friends tell her.
Nach 1989 ist Europa – wieder einmal – in Bewegung geraten und die Mitte des Kontinents hat sich "ostwärts" verlagert. Diese Verschiebung Europas, die Frage nach neuen und alten Grenzen und Zentren, ist Anlass, sich mit jener vergessenen Himmelsrichtung und ihren Gebieten zu befassen, die 'plötzlich' wieder auf der Landkarte und in den Köpfen aufgetaucht sind. Wird der Osten zum Standort gemacht, von dem aus Europa zu konturieren ist, so erschließt sich dieser Osten in seinen unterschiedlichen geographischen, historischen und imaginären Mehrdeutigkeiten. Europa wird dabei zu einem dezentralen Gebilde, für dessen kulturelle Semantiken gerade die Peripherien von entscheidender Bedeutung sind.
In den Beiträgen des Bandes werden diese "schmerzenden Nähte" (Jurij Andruchowitsch) aufgesucht: von Vilnius über den Balkan, den Kaukasus, die Schwarzmerregion bis nach Istanbul, Alexandria oder Beirut. Es eröffnen sich plurale Kulturen, deren Umgang mit Sprachen, Religionen, Bild- und Zeichensystemen in vielem quer zu westlich-europäischen Ordnungskonzepten liegen. Zugleich liegt die Brisanz dieser Kulturen darin, dass sie auf vielfältige Weise mit modernen kulturellen Homogenisierungsstrategien verbunden sind und immer wieder auf die auch diesen inhärenten, verdeckten oder getilgten Pluralitäten verweisen. Die Beiträge zeigen, wie die Vermessung dieser Orte zu allen Zeiten zu einem beträchtlichen Teil in Literatur und Kunst stattfindet. Hier werden territorial-kulturelle Zugehörigkeiten verhandelt, wird ein nuanciertes Spiel mit geopolitischen Verschiebungen, Verwerfungen und Umkodierungen von Topographien, mit ironischen oder melancholischen Wahrnehmungen "fremder" Räume und Gepflogenheiten betrieben.
This is the story of the prolific professor Newit Anatole Lobe who after his studies and a failed marriage in the US decides to return home to Cameon, an imaginary post-colonial African state to take up a teaching job with the country's main university. When he refuses to join the machinations and antics of the power elites who want to hang on to power at all cost, he pays a heavy price. He plays a key role in the founding of an opposition party just to be betrayed by those in whom he placed his trust. He is arrested and detained on trumped up charges of subversion and complicity with external enemies of the state. He learns the hard way that life is larger than logic.
Universities and economic development in Africa: Pact, academic core and coordination draws together evidence and synthesises the findings from eight African case studies. The three key findings presented in this report are as follows: 1. There is a lack of clarity and agreement (pact) about a development model and the role of higher education in development, at both national and institutional levels. There is, however, an increasing awareness, particularly at government level, of the importance of universities in the global context of the knowledge economy. 2. Research production at the eight African universities is not strong enough to enable them to build on their traditional undergraduate teaching roles and make a sustained contribution to development via new knowledge production. A number of universities have manageable student-staff ratios and adequately qualifi ed staff, but inadequate funds for staff to engage in research. In addition, the incentive regimes do not support knowledge production. 3. In none of the countries in the sample is there a coordinated effort between government, external stakeholders and the university to systematically strengthen the contribution that the university can make to development. While at each of the universities there are exemplary development projects that connect strongly to external stakeholders and strengthen the academic core, the challenge is how to increase the number of these projects. The project on which this report is based forms part of a larger study on Higher Education and Economic Development in Africa, undertaken by the Higher Education Research and Advocacy Network in Africa (HERANA). HERANA is coordinated by the Centre for Higher Education Transformation in South Africa.
In this collection Ayuninjam attempts to capture his sentiments on many plains. He also takes the liberty to capture the sentiments of other persons in his life and in society as a whole as well as the sentiments of other creatures that are part of the chain of life. As a result, much of what follows is occasional poetry, as he has more often than not responded or reacted to his sensations while also being a surrogate for those who could (or would) not express theirs. Having lived abroad for as long as he lived in Cameroon, his perspective has, accordingly, been coloured, though not necessarily transmuted. The poems transcend space and time.
Wena
(2011)
The collection of poems is an intriguing reflection of the sometimes torturous evolution of inner self which so many South Africans face as they struggle to find who they are in a multicultural society that espouses the values of traditional culture while reaching for the promise of a global community. Thus the blend of Xhosa and English as Ntsiki strives to merge her modern views with cultural roots. She feels strongly the need to reclaim her culture and language and blend them within the context of a cosmopolitan society. She captures the 'vibe and energy' of young South Africa and its blossoming as well as its quandaries. Ntsiki does not hesitate to deal with controversial and painful issues, such as rape, and her work challenges the reader to stop and think, really think. The quest for self expression and self-understanding echoes throughout the book and through it, she exhorts the reader to have the courage to explore and understand himself. Underlying many poems is the unspoken but burning desire that, by telling the truth, she will create possibilities for others to do the same. In many ways, 'Wena' is a celebration of life. The poems brim over with Ntsiki's own desire to drink to the full and then go out there and pour love and life out into the world. The manner in which she distills meaning and value from the negative is perhaps best expressed in her own words, from the poem, 'I choose life'.
Within the Walls of Hell
(2011)
The Land of Eternal Discomfort is a place where no one wants to go. It is hot and dirty. One is sure to experience depression once there and sleep is a luxury no longer attainable in that place. Unbelievable though it may seem one enters the Land of Eternal Discomfort by choice. It is a place destined for those who did not live a righteous life according to the Creator. The kind of life one lives down below determines where they go thereafter. For the seven characters in this play, the love of power and the hatred for those different and inferior to themselves leads them to choose a life of luxury gained through deceit, theft, adultery and murder. Against all the Creator's commands, they chose to live lives of self-gratification ignoring their obligations to their fellow man. The choice they made was for their lives down there but they will forever live with the consequences in their lives thereafter. Life down there does not last forever and the characters are destined to meet the Messenger at which time the choice will have already been made. When you finally meet the Messenger, pray that he is ushering you into the Land of Eternal Happiness because in the other place you are doomed forever. In the Land of Eternal Discomfort the gate can only open to let someone in. It cannot open to let anyone out. Once you are in there you can never get out again.
This posthumous publication is a collection of essays some of which are based on the author's research work while others record her thoughts on issues she regarded as important. The materials, which were written between 1991 and 1996, cover a range of subjects that have been tied together under the theme of women, law and justice in Uganda. They represent the author's central concerns, interests and views as they developed over the years.